即刻觀影
劇情賞析
編輯推薦
芭比之歌星公主
《芭比之歌星公主》（Barbie the princess and the popstar）講述了芭比與明星之間，關于音樂的、難以忘記的奇幻旅程。芭比飾演Tori公主，她是想像搖滾明星一樣自由搖擺的公主；另一個是歌手Keira，她是想過公主般童話生活的全球知名歌星， 兩人互換身份，開始不同的生活！會怎樣呢？DVD已在2012年8月23日推出！
逆風草
任明生,韓芮瑩,何李帥克影片以長白山區為背景，講述大學生林俏在當地開展特殊教育期間，與獨自撫養三個缺陷兒童的村民張明亮因教育理念產生矛盾，最終在村支書和老校長的幫助下達成和解，共同促進兒童成長的故事。影片通過農村教育實踐，展現鄉村振興背景下特殊群體的關懷與教育者奉獻精神 。
復仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth20世紀30年代，戰爭的幽靈盤桓世界上空。納粹相信妖術可以幫助他們邁向勝利，于是派出手下四處尋找便捷的“治世良方”。1936年，在美國西弗吉尼亞的一個偏僻鄉村復仇溪，誠實善良的沃爾納一家迎來一名不速之客。隸屬于北美地區德國遺產學術委員會的理查德·沃斯博士（Michael Fassbender 飾）來到這里，借住在沃爾納家。一家人雖然心有惴惴，不過看在錢的份上欣然接納沃斯博士，并對其表現出誠摯的熱情，卻不曾想對方帶來了難以置信的災難。 2007年，警察伊萬·馬歇爾（Henry Cavill 飾）生活正陷入困境。他的哥哥維克多（Dominic Purcell 飾）一度消失。當他以為兄長已死時，維克多卻突然出現，帶著弟弟來到復仇溪。維克多究竟經歷了怎樣的磨難？這與30年代沃爾納一家的遭遇又有什么關聯？
我的秘密圣誕老人
麥迪遜·麥克伊薩克,瑞安·艾戈爾德,亞利桑德拉·布萊肯瑞吉,蒂亞·莫里,Andy Magee,亞當·博謝納,杰登·歐尼亞,威廉·C·沃恩,巴里·W·萊威,Katie Stone,布列塔尼·霍布森,Cam Woodman,凱拉·哈瑟斯,Piper Dacosta一位單身母親需要工作，一個滑雪度假村需要圣誕老人。泰勒假扮成圣誕老人，她能否騙過迷人的酒店繼承人，拿到這份工作？
莫·吉里根：活在當下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster