金色頭發藍色衣服遮擋不住如此性感誘惑

卡薩諾瓦1976

唐納德·薩瑟蘭,蒂娜·奧蒙特,Cicely Browne,卡門·斯卡爾佩特,Clara Algranti,Daniela Gatti,瑪格瑞斯·克里蒙地,奧林匹婭·卡爾立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼爾·埃米爾福克,Luigi Zerbinati,Hans van de Hoek,杜德里·沙頓,約翰·卡爾森,雷吉·納爾德,芭芭拉·斯蒂爾,弗朗切斯科·德羅薩,Harold I

 意大利導演費德里克．費里尼的中期經典作《八部半》是其成熟高峰期作品，此后開始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《費里尼之薩蒂尼康》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀基督道德不振后的上流腐化放縱，費里尼盡情借題發揮，展現出精英文藝在人欲橫流下的腐爛情態。大情人卡薩諾華是在情場屢戰屢勝的“性斗士"，不斷獵艷，還參加造愛競賽。但這大情人苦于人人只重他的性愛能力，不重視他經世濟民治國的才學。而且女人們對他都“有性無愛"，當他衰老得失去性魅力之后，就只能把一個機械女人當作夢中情人，很可悲可憐。

蹂躪

布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗

　　When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.

正義的子彈

丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova

　　在第三次世界大戰期間，美國政府發起了一個秘密的項目代號為“陸軍培根”，以創造超級士兵近交人與豬。25年后，一種叫做“槍口”已經占據食物鏈的頂端，吃和人類飼養動物一樣。羅布正義是一個前賞金獵人工作的最后一行人類抵抗-一組幸存者躲藏在核掩體深處地下。他的任務是找出槍口上臺并消滅他們。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奉魔之名

索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich

　　正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發生爭吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關系雖有所松動，但是新的危機已悄悄展開。艾瑪是不是會做出些奇怪的舉止，這令父母異常擔心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領的心理醫生，誰知醫生最終猝死艾瑪的膝上。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學的父母的反對，執意求助于因驅魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）。　　基斯似乎漸漸證實了艾瑪的猜測，而她體內那股邪惡的力量也變得越來越強大……

暗夜良人

何乙軒,李運佳,周舟,黃娟,楊坤銳,李延,王淵,王正佳,劉錦,李一明,張依珂,季李,田雨,周小鵬,許之糯,呂一丁,張京海,徐福來,常征,孔慶三,邊防,杜伯,蘇強,王俊潾,高果,孫博,劉建軍,梅景洪,李少林,高玉林,張業福,蘇佳男,楊瑞承,吳梓銘,田甲右,劉欣剛,岳陽

　　民國年間，張千月（楊坤銳飾）新婚之后進省城投奔同鄉王明堂（李運佳飾），不成想晚上房間內發現床下有一個死尸，大批警察帶走了旅社老板宋成安（周舟飾）、老板娘翠姐（黃娟飾）、住客顧滿倉（王淵飾）、孫興福（王正佳飾）、梁程思（劉錦飾）、門房老胡（季李飾）及房間內的張千月與王明堂。鄉下的新婚妻子白秀英（何乙軒飾）與老父親張廣林趕至省城聽審，老父親接受不了這個嚴重的打擊氣絕身亡。這里面有不可告人的秘密。傳說冤魂索命，這個事情不簡單。一間旅館、一個女尸、一群平民引發了一個意料之外的故事，展現了民國時期，灰暗的年代，軍閥割據，官匪勾結，生活在社會底層的各種普通百姓，掙扎在水深火熱之中，各種生活的無奈與社會現實的交織，人為了生存所做的一切掙扎.....一個投親的少女靈芝（張依珂飾）引發了當地惡霸朱天久（李延飾）皮三（邊防飾）殘忍殺戮，牽扯無辜百姓，勾結當地警長康大鵬（周小鵬飾）利用貪官（高果飾）歪曲事實，殘害無辜百姓，法官（常征飾）（杜伯飾）命懸一線。關聯人李婉兒（李一明飾）四散逃命，江湖騙子（孔慶三飾）渾水摸魚。更牽動大批愛國志士（許諾飾）（張玥飾）刺殺大帥龐金龍（張京海飾）督軍孫連勝（呂一丁）為百姓申冤報仇！這一切的來龍去脈都由一名說書人（徐福來飾）娓娓道來。

惡魔的藝術

阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫,尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·福克斯,艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫

 影片圍繞著一個家庭遭到情婦利用"黑色巫術"復仇的故事展開.講述了一個百萬富翁全家人被神秘而詭異的地殺害。沒有絲毫線索; 無法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報道記者參與進此案的調查, 發現一個美貌的女人有可疑。他該如何向所有人證明她就是那個一直隱藏著的、并且擅長"魔鬼的藝術"的情婦? ...