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利刃之刀鋒戰士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下，與黃贊為首的走私犯罪集團斗智斗勇，最后將犯罪分子一網打盡的故事。展現了以程崗、沈欣為代表的特警，為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。
真犯
宋清晨,柳善,張赫鎮,吳珉錫,鄭海鈞,韓秀妍,鄭熙泰,申賢德,尹頌雅,張英,俊賢淑講述的是受害者林宥貞的丈夫李英勛（宋清晨 飾）與嫌疑人金俊成的妻子鄭多妍（柳善 飾）在最后一場判決前隱藏著對彼此的懷疑為找出真相而攜手合作的故事。
室友2026
莎蒂·桑德勒,克洛伊·伊斯特,比利·布萊克,莎拉·謝爾曼,艾丹·朗福德,貝拉·墨菲,賈雅·哈珀,斯托姆·瑞德,艾薇·沃爾克,娜塔莎·雷昂,尼克·克羅爾,馬丁·赫利希,亞當·桑德勒,Annalise Mishler,亞歷山德拉·西爾,Seth Fuentes,亞歷山大·詹姆森,索菲婭·岡薩雷斯,Rebecca Lynn Goldfarb,苔絲·奧貝爾,Jonathan Auguste,艾比·萬·李,本·海涅曼,邦妮·羅斯一個目光明亮的新生決定和一個受歡迎的學生住在一起，這導致了一段令人興奮的新友誼，但逐漸演變成一場微妙的意志之戰。
迪瓦塔·繆斯
一位菲律賓祖母即將步入晚年，她放棄了自己的八十歲生日聚會，去召喚她早已去世的孫女的靈魂，試圖通過壓抑的記憶來彌補過去的過錯。
身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪女性攝影師莎拉（Alysson Paradis 飾）和馬西歐（Jean-Baptiste Tabourin 飾）這對幸福的夫妻組成的小家庭即將迎來新的成員，但一場嚴重的車禍摧毀了他們美好的憧憬。馬西歐在車禍中喪生，莎拉以及未出世的寶寶僥幸存活。 圣誕之夜，孤獨的莎拉待在家中，等待第二天早晨的生產。這時敲門聲響起，一名黑衣女（Béatrice Dalle 飾）請求使用電話。莎拉本能地拒絕了她，誰知黑衣女竟千方百計想要闖進來。她的目的只有一個，搶奪莎拉那尚未出世的孩子。擋路者只有死路一條……
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.