即刻觀影
劇情賞析
編輯推薦
困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun因丟失尸體和愛人，羅伯特（Daktari Lorenz 飾）在絕望中以極其慘烈的方式自殺身亡。然而他的尸體并未因此得到寧靜，仿佛命中注定一般，才被葬入黃土不久的羅伯特又被妙齡女郎莫妮卡（Monika M. 飾）挖了出來。莫妮卡和羅伯特一樣，對死尸有著深深的迷戀，她和死去的羅伯特仿佛愛人似的生活在一起?！ ∧惩?，莫妮卡在電影院門口邂逅馬克（Mark Reeder 飾），兩人隨即開始交往。看似浪漫的愛情雖然讓莫妮卡一度想要改掉怪異的愛好，但她仍然無法接受愛情的索然無味。直到某天，馬克發現了女友的秘密，他們的關系開始朝著不可預測的方向發展……
惑星大戰爭
宮內洋,平田昭彥,沖雅也,森田健作,淺野優子,池部良西暦1988年。人類は謎のUFO群の襲來により危機に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた國連宇宙防衛艦?轟天は発進する。侵略者の正體は、太陽系から2萬2千光年離れたメシエ13と呼ばれる球狀星団?恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦?大魔艦が立ちふさがる……。
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺灣電影，由張鵬翼導演。張玲，鄭少秋，王俠等人主演?！稉畚溟T》講述某朝皇帝在正月十五日比武大賽之前， 得知刑部大臣陸人敵欲乘機謀反， 乃飛鷹傳書其派駐在東， 南， 西， 北四郡的諸侯回朝護駕， 然四人均於回朝途中為刺客所暗殺， 南郡主之女孤獨冷雁於其父被刺後始得報， 火速趕回想為父報仇· 一日孤獨冷雁巧遇鬼紅娘， 才知兩人同出一個師門， 尤其孤獨冷雁學得高深之禪功， 身手快捷， 眼力極強， 卻可惜他·.....
恐怖特快
??? GO I-gyoung,李泰利,吳荷妮,李起昶,????? ?? ??? ????? ?? ???? ???? ‘???’. ??? ??? ??, ??? ?? ‘???’? ??? ??? ?? ??? ???. ??? ??? ??? ????? ‘???’? ‘????’? ?? ??? ?? ?? ??? ??? ?? ?? ??? ?? ????. ? ?? ??? ? ? ?? ??? ??? ????, ??? ?? ‘??’? ?????… ?? ? ?? ?? ??? ??! ??? ?? ?? ??? ???!
金錢怪獸
喬治·克魯尼,朱莉婭·羅伯茨,杰克·奧康奈爾,多米尼克·韋斯特,凱特瑞娜·巴爾夫,吉安卡羅·埃斯波西托,丹尼斯·布特斯卡里斯,約瑟夫·D·雷特曼,達瑞·因戈爾夫松,克里斯托弗·鄧漢,安東尼·德·桑多,萊尼·維尼托知名電視財經專家李·蓋茨（喬治·克魯尼 George Clooney 飾）在電視財經節目《金錢怪獸》中擔任主持人而聲名大噪，在節目中經常出現瘋狂舉動，會大聲說出投資建議，不時在節目中用搞笑的道具和音效介紹股市。然而，事實上他是透過內線消息讓他在華爾街成為賺錢高手。一名不速之客（杰克·奧康奈爾 Jack O'Connell 飾），因為聽信投資分析而賠光積蓄，因此在節目直播中綁架了蓋茨與節目制作人帕蒂·芬恩（朱莉婭·羅伯茨 Julia Roberts 飾）。同時全國民眾也透過電視在看著這場玩命直播，而這場挾持行動也揭發了背后更巨大的金融操弄丑聞。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.