杉原杏璃 MADE IN ANRI

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　有個(gè)驚嚇過(guò)度的小女孩在沙漠游走，唯一吐出的只有一個(gè)字：怪物！任何50年代恐怖片迷都會(huì)馬上告訴你，她所指的”怪物”就是巨蟻，那是在當(dāng)?shù)睾俗釉嚤蟮母碑a(chǎn)品。這些巨蟻非常有組織，嗜肉且體型巨大，約有8到20呎，它們?nèi)壕墼诼迳即壍南滤老到y(tǒng)，彷若一個(gè)巨大的螞蟻園區(qū)，準(zhǔn)備好要接管這個(gè)世界。要和這些怪物對(duì)抗的人類(lèi)精英是新墨西哥警署探員詹姆斯惠特摩，聯(lián)邦調(diào)查局代表詹姆斯亞尼斯，和一對(duì)由埃德蒙關(guān)恩和喬安妮威爾登所飾的父女檔昆蟲(chóng)學(xué)家。

當(dāng)一座超級(jí)火山威脅到夏威夷島時(shí)，一組專(zhuān)家必須與時(shí)間賽跑，拯救那些在熔巖路徑上的人，并永遠(yuǎn)阻止它。

出身穆斯林家庭的少女法蒂瑪，即將前往巴黎讀大學(xué)。站在人生岔路口，她面臨性向與信仰的纏斗。對(duì)女體難以啟齒的貪戀，化為交友軟件上無(wú)數(shù)個(gè)假名與忘我纏綿的幽會(huì)。隨著晨禱摻入雜念，法蒂瑪遇見(jiàn)命定的那個(gè)她，在親密關(guān)系里感受愛(ài)與傷，卻依舊迷茫。四季遞嬗間，那些捫心自問(wèn)的日與夜，會(huì)將法蒂瑪帶往何方？