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日出1927
喬治·奧布萊恩,珍妮·蓋諾,瑪格麗特·利文斯頓,波蒂爾·羅辛,J·法瑞爾·麥克唐納,Ralph Sipperly,簡·維頓,阿瑟·豪斯曼,Eddie Boland,赫爾曼·賓 ,西德尼·布雷西,基諾·科拉多,Vondell Darr,薩利·艾勒斯,吉布森·格沃蘭德,Fletcher Henderson,Thomas Jefferson,鮑勃·科特曼,F·W·茂瑙,Barry Norton,羅伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奧·懷特,Cla盛夏的度假時節(jié)，一位城市女人來到鄉(xiāng)下滯留，這期間，城市女人誘惑了當地的農夫并教唆他殺死自己的妻子（Janet Gaynor 飾）以便販賣掉農莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時光，他將妻子帶到河面蓄謀加害，卻在要下毒手時幡然悔悟，傷心的妻子踏上了進城的列車，男人窮追不舍一同抵達城市。城市里真正是一片花花世界呵，這對夫妻在街上游走玩樂，在那些小小的玩笑中，甜蜜的冒險中，他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉(xiāng)村，不料卻在歸途遇上了肆虐的風浪……本片是德國導演茂瑙赴美發(fā)展后拍攝的第一部作品，曾被多家權威媒體評選為默片最佳杰作之一，獲第一屆奧斯卡最佳女演員、攝影等多項褒獎。
宇宙巨人：希曼崛起
尼古拉斯·加利齊納,卡米拉·門德斯,伊德瑞斯·艾爾巴,杰瑞德·萊托,夏洛特·萊利,詹姆斯·鮑弗,莫蕾娜·巴卡琳,愛麗森·布里,克里斯汀·韋格,約翰內斯·豪克爾·約翰內森,阿爾蒂·威爾金森-亨特,薩希爾·澤瑪塔,馬克斯·克勞斯,科喬·阿塔,山姆·C·威爾遜,哈夫托爾·尤利烏斯·比約恩松,埃爾·法瑞爾,詹姆斯·威爾金森,Jon Xue Zhang,斯蒂芬·阿登坦亞當（尼古拉斯·加利齊納 飾）在神秘圣劍的召喚下，塵封十五年的異世界王子身份覺醒，平凡人生被徹底顛覆。他跨越時空重返埃坦尼亞，但故鄉(xiāng)早已在骷髏王的統(tǒng)治下分崩離析。為拯救曾經的家園與現在的世界，亞當必須再次拔出圣劍，喊出那句響徹寰宇的咒語——“賜予我力量吧！我是希曼！”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
惡徒2025
斯蒂芬·格拉漢姆,安德麗婭·賴斯伯勒,安森·布恩,奧斯汀·海恩斯,基特·拉庫森,卡勒姆·布斯-福特,薩萬娜·斯泰恩,諾亞·曼祖爾,Monika Frajczyk一名19歲的罪犯湯米（Tommy）被一對功能失調的夫婦克里斯（Chris）和凱瑟琳（Kathryn）綁架，并被迫接受他們的“改造計劃”，試圖將他塑造成一個“好男孩”。湯米必須設法逃脫。
TOKYOMER～移動的急救室～南海任務電影版
鈴木亮平,賀來賢人,菜菜緒,鶴見辰吾,石田百合子,江口洋介,玉山鐵二,高杉真宙,生見愛瑠,宮澤艾瑪2025年，在鹿兒島縣與沖繩縣，搭載著配備手術室的特種車輛的渡輪已開始進行試運行。赴任的喜多見與夏梅在離島從事醫(yī)療工作。某日，鹿兒島縣的諏訪之瀨島發(fā)生火山噴發(fā)，為營救島民，他們毅然挑戰(zhàn)這項九死一生的任務。
蠟筆小新：灼熱的春日部舞者們
小林由美子,楢橋美紀,森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎,賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹春日部防衛(wèi)隊在“春日部兒童娛樂節(jié)”舞蹈比賽中，獲得勝利，他們因此得到了前往印度的機會。在盡情享受印度旅游的過程中，小新和阿呆進入了一家神秘的雜貨店，在那里發(fā)現了一個形狀像“鼻子”的背包并買下了它。然而，這個背包隱藏著一個非?？膳碌拿孛堋?/p>
民國驚魂錄
郝普,陳凱欣,曹璐民國年間，上海灘閘北區(qū)保德路發(fā)生一樁命案，死者后來經過確認，竟然是馬源商會老板馬廣則?！ 《嗄陙?，馬源商會在閘北一直都頗具影響力，馬廣則更是最被看好的商界風云人物，他的死打破了閘北區(qū)原本的寧靜。