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琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費斯·洛根,桃樂絲·麥卡錫花園街五號
李默然,龐學勤,方舒,龐好,李龍吟,劉童,王村人,胡爾西德·吐爾地,李仁堂,周諒量,張沖霄,詹靖波,阿爾斯朗·阿布都克力木,李萌,柏瑞桐,劉大航,馬明,劉彤彥多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler一個女演員的夢
左翎,馬曉偉,林芳兵,洪宇宙,楊寶河,廖丙炎,趙健文,石敬,楊德智,賈盛云,孫其昌,崔超明,李檀,張曉敏,吳燕,朱曉鳴風中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾TOKYOMER～移動的急救室～南海任務電影版
鈴木亮平,賀來賢人,菜菜緒,鶴見辰吾,石田百合子,江口洋介,玉山鐵二,高杉真宙,生見愛瑠,宮澤艾瑪影視排行
十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,KaFive haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…
綾音的高踢腿
宮村優子,川村萬梨阿,西原久美子,大塚明夫,山口勝平女子キックボクシングを題材としたスポ根アニメ。プロレスラーを志望していた三井綾音がキックボクシングで活躍していく姿を描く。女子プロレスラーの豊田真奈美や前川久美子なども実名で登場している。當初は全4巻の予定であったが、諸般の事情により2巻で打ち切りとなり、未完で終わった。
瑞奇·熱維斯：人生苦短
瑞奇·熱維斯瑞奇·熱維斯宣布自己的最新個人單口喜劇 Mortality 將在2024年底開始全球巡演。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster