影片推薦
非凡
馬克·韋伯,露西·格里菲思,大衛·克萊頓·羅杰斯,雷恩·威爾森奇跡夢之隊
凱萊布·麥克勞克林,加布里埃爾·尤尼恩,斯蒂芬·庫里,妮可拉·考夫蘭,尼克·克羅爾,大衛·哈伯,詹妮弗·路易斯,帕頓·奧斯瓦爾特,Jelly Roll,亞倫·皮埃爾,鮑比·李,安德魯·桑提諾,雪莉·可拉,愛德華多·弗蘭科,詹妮弗·哈德森,阿伊莎·庫里從前有位國王
安眠實驗
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凱·樂希迪柴,汪撒孔·拉薩米塔特,帕尼莎拉·里庫蘇拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim Waddoup地心記
彼得·庫欣,道格·麥克洛,卡羅琳·莫羅,Cy Grant,Godfrey James,基思·巴倫,Robert Gillespie白天是阿波羅,晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內嫩,內拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克同類精選
撒冷鎮2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet超聲
文森特·卡塞瑟,切爾西·洛佩茲,布瑞達·伍爾,滕德·艾德比佩,蕾妮·庫利,鮑勃·斯蒂芬森,達娜·林恩·拜倫,Jim Boeven,Chris Dougherty,波特·琳·楊,Tony Evangelista,達維達·威廉姆斯,馬克·伯恩漢姆,Cheryl Dent,Gabe Fonseca蛛仙
孫藝寧,李硯,高廣澤,潘嚴,劉錫明末日逃生2:遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar麗薩·安·沃爾特:純屬意外
麗薩·安·沃爾特最小的女兒
納迪亞·梅利蒂,樸智敏,阿米娜·本·莫哈邁德,梅麗莎·古爾斯,麗塔·邦曼納納,Razzak Ridha,路易·梅米,Waniss Chaouki,阿諾亞·卡德拉斯,Joven Etienne,Madi Dembele,Mahamadou Sacko,Ahmed Kheloufi,Pascal Chanez,Sophie Garagnon,Julia Muller,尼莫·謝夫曼,Gabriel Elka?m,Vincent Pasdermadjian,Victorien Bonnet影視排行
逆風草
任明生,韓芮瑩,何李帥克影片以長白山區為背景,講述大學生林俏在當地開展特殊教育期間,與獨自撫養三個缺陷兒童的村民張明亮因教育理念產生矛盾,最終在村支書和老校長的幫助下達成和解,共同促進兒童成長的故事。影片通過農村教育實踐,展現鄉村振興背景下特殊群體的關懷與教育者奉獻精神 。
利刃之刀鋒戰士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下,與黃贊為首的走私犯罪集團斗智斗勇,最后將犯罪分子一網打盡的故事。展現了以程崗、沈欣為代表的特警,為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。
加美拉對大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場したギャオスが再登場するが、ギロンにあっさりやられてしまう。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.