姐妹窺情
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan女主一直靠著姐姐的經濟養活，因為沒有男友，日子過得也是相當寂寞，常常與黃瓜為伴，一次偶然遇到了一個暈倒的男人，出于好心將他帶回了家，看著他健碩的身體，女主欲火難耐，跟昏迷的男子就搞了起來，無巧不成書，女主的姐姐也遇到一昏迷男人，將其帶回家后，將男子囚禁起來，讓男子成為了她的性奴，然而女主的姐姐并不滿足，還覬覦起了女主的這個男人....
影片推薦
盛夏假期遇見愛
艾米麗·巴德,湯姆·布萊斯,莎拉·凱瑟琳·胡克 ,盧錫安·拉維斯科特,邁爾斯·赫爾澤,賈米拉·賈米爾,湯米·杜,盧卡斯·蓋奇,愛麗絲·李,莫莉·香儂,阿蘭·盧克,斯賓瑟·內維爾,伊恩·波特,馬德琳·阿庫阿,約翰·賈巴雷,貝瑟妮·安妮·林德,邁克爾·A·紐科默,勞拉·弗蘭納里,萊頓·威廉姆斯,埃米·勒透明人出現了
喜多川千鶴,水の江滝子火箭手
比利·坎貝爾,詹妮弗·康納利,艾倫·阿金,提摩西·道爾頓,保羅·索維諾,特瑞·歐奎恩,埃德·勞特爾,詹姆斯·漢迪,Robert Miranda,喬·鮑里托,埃迪·瓊斯,威廉·桑德森,Nada Despotovich,瑪格·馬丁戴爾,America Martin,馬克斯·格隆切克,邁克爾·米爾漢,喬·達安格里奧,克林特·霍華德,Tommy J. Huff,帕特·克勞福德·布朗,朱利安·巴恩斯,彼得·布羅米洛,Tom Kindle,威廉·弗蘭克神父,諾伯特·魏塞爾,梅羅拉·哈丁,瑞克·歐弗頓,Dick War匹配
土屋太鳳,佐久間大介,金子統昭,真飛圣,后藤剛范,片山萌美,片岡禮子,杉本哲太,齊藤由貴掃惡
潘斌龍,包貝爾,趙潤南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,釋小龍,湯鎮業,九孔,常鋮家弒服務
西德尼·斯維尼,阿曼達·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德同類精選
影視排行
智能女傭
尼克·卡魯喬,Hailey Mauk,朱麗葉·塞茜爾在妻子的意識被轉移到機器人中后，一個鰥夫發現自己陷入了一個致命的三角戀中，嫉妒的人工智能竭盡全力阻止他與一個新女人繼續前進。
后室
切瓦特·埃加福,雷娜特·賴因斯夫,芬恩·本尼特,盧基塔·麥克斯韋爾,阿萬·喬賈,馬克·杜普拉斯,謝拉赫·霍斯達爾,托比·哈格雷夫,米拉尼亞·克爾,菲利普·格蘭杰,帕特里克·貝納姆一位心理治療師的病人在一次詭異的事故中“切入”（No-clip）到了一個超越現實的奇異維度。為了帶回病人，這位治療師不得不親自踏入那片無邊無際、充滿黃色壁紙和嗡嗡熒光燈響聲的未知迷宮。該片改編自凱恩·帕森斯在YouTube上創作的一系列爆紅的“后室”題材恐怖短片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
時間旅館
張本煜,王佳佳,楊平道,楊瑾,王飛飛,沈小平 ,葦青小說家李唐（張本煜 飾）接到昔日戀人高麗（王佳佳 飾）的電話，被告知她要來他所在的城市出差三天。在這三天里，他們一起回到了過去，體驗了當下，演繹了未來。在他們即將告別時，高麗帶著李唐來到玄武湖，她講述起一件往事，李唐對此錯愕無言，恍然間不知當下是何時……