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凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·福克,山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano深水
艾倫·艾克哈特,本·金斯利,安格斯·桑普森,邁德琳·懷斯特,凱莉·蓋爾,拉米安·紐頓,莫莉·貝爾·賴特,馬克·哈德洛,羅伯·基帕-威廉姆斯,露西·巴雷特,普里亞·賈恩,理查德·克勞奇利,瑞恩·邦恩,拉科塔·約翰遜,杰奎琳·李·戈?duì)柎?凱特·菲茨帕特里克,加文·李,那爾那茜,李汶翰,趙思玫呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬(wàn)·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫(kù)珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman兩個(gè)心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根正義聯(lián)盟：無(wú)限地球危機(jī)（中）
詹森·阿克斯,斯坦娜·卡蒂克,吉米·辛普森,吉第安·艾朵,盧·戴蒙德·菲利普斯,詹妮弗·黑爾,特洛伊·貝克,阿爾迪斯·霍吉,威爾·弗里德?tīng)?梅格·唐納利,岑勇康,馬特·蘭特爾,達(dá)倫·克里斯,連姆·麥肯泰爾,艾托·艾桑多,吉奧弗瑞·阿倫德,杰米·格雷·海德,凱沙·夏普,馬特·瑞安,喬納森·亞當(dāng)斯與世隔絕
Davina Reeves,Maria Abramova導(dǎo)演精選
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
學(xué)前班
兩位堅(jiān)定的父親展開(kāi)一場(chǎng)滑稽的爭(zhēng)奪，爭(zhēng)奪讓孩子進(jìn)入一所精英幼兒園，最終升級(jí)為一場(chǎng)荒誕的競(jìng)爭(zhēng)，結(jié)果出乎意料。
泉京香不會(huì)沉默
這是系列首次以露伴的責(zé)任編輯、同時(shí)也是其得力搭檔——泉京香為主人公展開(kāi)的故事。這一次，京香因露伴的一句話，被卷入一場(chǎng)難以想象的怪異事件。本作在原作者荒木飛呂彥的協(xié)助下完成劇本創(chuàng)作，并由在國(guó)際上也備受關(guān)注的導(dǎo)演組合“5月”的關(guān)友太郎與平瀨謙太朗共同執(zhí)筆，推出全新原創(chuàng)故事。