劇情縱覽
北原十和子（蒼井優飾）同名為陣治（阿部隆史飾）的男子過著同居的生國外三級。雖然居住在同一屋檐下，但十和子和陣治之間卻并非情侶關系。十和子厭惡陣治的粗俗和懦弱，而即便被十和子辱罵嫌棄，陣治卻依然深深的為她著迷。十和子有過一段不堪回首的戀情，前男友黑崎俊一（竹野內豐飾）是一個徹頭徹尾的渣男，不僅利用十和子的身體，還在分手之時將十和子打成重傷。 一次偶然中，十和子結識
在線暢看
臻選佳作
初始者
什恩·卡魯斯,大衛·蘇利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat
獲得第24屆圣丹斯電影節劇情片類評委會大獎的《雷管》，講述的是四位合作者出于興趣發明了一臺查錯儀器，卻意外地發現這臺儀器擁有強大的商業價值，最終四人相互爭斗的局面。《雷管》是導演什恩-卡魯斯(ShaneCaruth)首次執導的劇情長片，該片由他自己投資，并身兼編劇、導演、主演數職，體現出獨立電影的“DIY”精神。另外，令人津津樂道的是該片不足7000美元的超低制作成本，只相當于一輛富康車的價錢……
無法饒恕的愛
薩拉·克利夫蘭,Matt Wells
...
紅樓夢1944
周璇,王丹鳳,袁美云,白虹
林黛玉（周璇 飾）和薛寶釵（王丹鳳 飾）相繼來到賈府定居，賈寶玉（袁美云 飾）對她們的到來感到非常高興。賈寶玉和黛玉對世俗仕途和經濟繁華持有反感，盡管他們之間有深厚的感情，但彼此不時發生誤會，親疏之間產生變化。寶釵多次勸告寶玉致力于仕途，但寶玉對此感到反感。賈母一方面寵愛寶玉，同時又希望通過婚姻來束縛寶玉。大小姐元春，在她回家省親時選定了寶釵作為婚姻的對象。王熙鳳（白虹 飾）在其中起到了推波助瀾的作用，最終通過掉包的計策破壞了寶玉和黛玉之間的愛情。林黛玉在病榻上心灰意冷而去世。賈寶玉在新婚之夜發現自己受到欺騙，在為林黛玉祭奠之后，拋棄了通靈寶玉，決定離開塵世，出家修行。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster