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詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山著名電臺女主播蕭瀟雅（辛芷蕾 飾）在結(jié)婚前七天，因親眼目睹名作家未婚夫李明軒與前女友許嘉雯（何佩瑜 飾）偷情，蕭蕭雅忍受不了背叛出軌的傷痛而自殺，幸被搶救復(fù)生，男友李明軒卻墜樓身亡……是自殺還是他殺還沒有揭曉真相，李明軒的前女友許嘉雯卻又死于非命，李明軒的弟弟李明炎（張 哲瀚 飾）一直對哥哥的死覺得離奇，經(jīng)調(diào)查發(fā)現(xiàn)偷情背叛事件出自許嘉雯和薛威（于毅 飾）策劃的，在真相還沒有大白前，薛威也相離奇死亡……誰是幕后真兇？是陰陽兩隔的戀人的瘋狂復(fù)仇？是橫刀奪愛者的殺人滅口？還是宿命在愛情開始的一刻早已注定？
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個困擾的城市傳說的現(xiàn)實(shí)面對面。
深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔影片改編自林秀赫同名短篇小說。講述諭明與依庭相遇于大學(xué)圖書館里的深度安靜區(qū)，兩人相愛并走入婚姻，正期待迎接第一個孩子。然而，依庭的意外自殺讓諭明陷入混亂與痛苦。他想起依庭在懷孕后變得異常，甚至提出離婚。自責(zé)的諭明照顧起依庭的家人，透過深入了解她的家庭后，開始理解她的行徑，以及她無法面對自己父親的原因，真相卻讓人難以接受。
復(fù)仇雙雄
奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事圍繞墨西哥特種部隊精英卡洛斯（綽號“公牛”）展開，他在一次任務(wù)中成功抓獲了犯罪集團(tuán)頭目，卻因此遭到報復(fù)，妻子在他面前被殘忍殺害，自己也淪為通緝犯。走投無路之際，他意外中了彩票頭獎，一夜之間擁有了復(fù)仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手，將全部財富轉(zhuǎn)化為武器和情報，從被通緝的逃犯，變成了以暴制暴的“復(fù)仇獵人”，目標(biāo)是讓所有參與殺害他妻子的人，付出最慘痛的代價。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden本片改編自民間傳說，幾個世紀(jì)以來，在不同的文化背景下，父母都會警告他們的孩子要小心傳說中的Bagman。Bagman會把無辜的孩子抓走，塞進(jìn)那骯臟腐爛的袋子里，再也沒法回到父母身邊。Patrick McKee小時候曾逃過此劫，但這給他的生活留下了永久的創(chuàng)傷。現(xiàn)在，Bagman又回來了，威脅著他妻子Karina和兒子Jake的安全。