“夏亞的反叛”的第二次新吉翁戰爭12年后，宇宙世紀105年（U.C.0105），一個名為“馬夫蒂”的反地球聯邦組織開始以暗殺政府高官的方式對抗強權統治的地球聯邦政府。該組織領導人馬夫蒂·納比尤·艾林的真實身份，是曾與阿姆羅·雷并肩作戰的一年英雄布萊特·諾亞之子——哈薩維·諾亞。雖被展現奇異力量的少女琪琪·安達露西亞言語捉弄，但哈薩維仍為實現馬夫蒂的目標而步步推進。與此同時，追捕馬夫蒂的聯邦軍大佐凱奈斯·斯雷格收到了刑事警察機構漢德利·約克桑的密約提議。在哈薩維與肯尼斯各自為實現目標而行動時，琪琪亦為履行自己的使命，踏上了前往香港的旅程。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

承諾2017

楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri

　　1997年，亞洲金融危機如同暴風雨一般席卷各國，公司倒閉已成尋常，老板富賈逃亡自殺，普通民眾的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 飾）父親所蓋的大樓最終爛尾，遭到父親家暴后，萬念俱灰的布姆和伊布（Panisara Rikulsurakan 飾）相約自殺。陰差陽錯，貝爾去往另一個世界，布姆則茍活人間。　　時光流轉，20年后的布姆（楠迪·宗拉維蒙 Namthip Jongrachatawiboon 飾）已成為小有名氣的房地產企業家。某天，她帶著女兒貝爾（安比查雅?松可寒 Apichaya Thongkham 飾）再次來到當年和朋友自殺的爛尾樓。頑皮的貝爾四處游蕩，撿到了母親當初和伊布溝通的BP機。殊不知，一個孤獨的靈魂已在此等候多年，只為了踐行未完的承諾……

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承諾2017

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