在線播放
劇情簡介
製作=ミュージアム 販売元= 2000.02.21 83分カラー 制作 ................ ミナミ十吾中島仁 企畫 ................ 松島富士雄 企畫協力 ................ 福原秀起久保秀樹 プロデューサー ................ 小野誠一阿部直海外影視
同類好片
不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內克,弗蘭西絲·費舍,安娜·萊文,大衛·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩后室
切瓦特·埃加福,雷娜特·賴因斯夫,芬恩·本尼特,盧基塔·麥克斯韋爾,阿萬·喬賈,馬克·杜普拉斯,謝拉赫·霍斯達爾,托比·哈格雷夫,米拉尼亞·克爾,菲利普·格蘭杰,帕特里克·貝納姆大怪獸空中戰 加美拉對混沌鳥
笠原玲子,上田吉二郎,本鄉功次郎賭俠大戰拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕死亡陰影
邁克爾·比恩,亞歷山德拉·達達里奧,布雷特·里克比,諾蘭·杰拉德·馮克,斯賓塞·李斯特,約翰·薩維奇,佩頓·李斯特,凱瑟琳·邁瑟爾,瓦倫蒂娜·德·安吉麗斯導演精選
孤島巨蟒
游船遇風暴沉沒,陸霆、女友陳清、李娜、陳清閨蜜馬櫻(陸霆前女友)漂至荒島。眾人遭巨蟒襲擊,得探險者遺物求生。馬櫻因妒生事,后聯合落難駕駛員王強,王強卻被巨蟒吞噬,馬櫻悔悟坦白。巨蟒擄走陳清,眾人設伏,馬櫻與巨蟒同歸于盡。數月后,陸霆、李娜乘直升機獲救。
亨利·休格的神奇故事
本片改編自羅爾德·達爾深受喜愛的故事,講述富翁亨利·休格(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)決心掌握非凡的賭博作弊技巧。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.