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伊曼紐爾的真相
卡雅·斯考達里奧,杰西卡·貝爾,阿爾弗雷德·莫里納,弗蘭西絲·奧康納,阿奈林·巴納德,吉米·辛普森,Gabriela Dias,斯賓塞·加雷特,山姆·賈格,凱文·麥克克科爾,安妮·拉姆塞外星人爆發
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本內特百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀,種崎敦美,悠木碧,內田雄馬,內山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽彩,杉田智和別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀,李昕芮,王昌,熊競宇(情歌)
森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬731
姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇同類推薦
冬歇
萊絲利·曼維爾,塞倫·希德,朱莉·蘭伯頓,埃德·塞爾,安吉拉·科斯特洛,劉易斯·哈里斯,梅拉尼·麥克西馬斯,杰拉德·麥卡錫,奧贊·托帕洛格盧,王偉,杰森·艾倫·斯坦斯退休夫婦斯特拉(萊絲利·曼維爾 飾)和格里(塞倫·希德 飾)選擇在深冬時節飛往阿姆斯特丹短暫休憩,期待在冰雪交織的景致中喚醒感官,重新審視彼此的人生軌跡。然而,在霜覆的街道與冰封的運河之間,那些關于北愛爾蘭故土的塵封記憶逐漸浮現——一段艱難歲月與非常事件的重現,正悄然侵蝕著他們看似平靜的關系表面。
別怕,是我
凱拉·贊德爾十五年前,莉茲的前男友德魯因搶劫銀行而被捕。如今,德魯突然出現在她家後院,請求她讓自己暫時藏匿。莉茲竟答應幫忙,但前提是要她老公不在家。
復仇雙雄
奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事圍繞墨西哥特種部隊精英卡洛斯(綽號“公?!保┱归_,他在一次任務中成功抓獲了犯罪集團頭目,卻因此遭到報復,妻子在他面前被殘忍殺害,自己也淪為通緝犯。走投無路之際,他意外中了彩票頭獎,一夜之間擁有了復仇的資本。他與摯友、戰友米格爾聯手,將全部財富轉化為武器和情報,從被通緝的逃犯,變成了以暴制暴的“復仇獵人”,目標是讓所有參與殺害他妻子的人,付出最慘痛的代價。
吞天巨鯊
陳外,程爽,成止微,秦宇太平洋某座生物研究所內,最新研究的魚類加速繁殖計劃得到了突破,并在繁殖力極低的鯊魚身上試驗成功。實驗室的科學家們大喜過望,稱這項研究將徹底解決全球食物問題。只有總負責人博士袁聰認為此舉會破壞現有的生態環境,力排眾議下令銷毀實驗鯊魚。然而實驗組的副手莫雷將這些鯊魚看成畢生心血,偷走幾條幼鯊準備轉移,誰知在路上被咬傷出了事故,幼鯊逃進下水道進入了大海。沒過多久,若干處海邊出現鯊魚群體襲擊事件,原來這些鯊魚的背后有一只超級巨大的母鯊......
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster