學(xué)生的媽媽:第一次愛愛的日子
千穗因兒子五郎大學(xué)升學(xué)問題而苦惱。某天,與朋友聊天過程中得知了一位超級家庭教師吉光,得知此消息的千穗毫不猶豫馬上聯(lián)絡(luò)這位老師。但上了幾堂課后,吉光發(fā)現(xiàn)自己無法激起五郎的干勁,于是將此事告知千穗,并以替五郎找尋適合的老師為名義,開始貪圖千穗的美色。不久后吉光找到了一位年輕貌美的課外輔導(dǎo)老師佐藤美,自從她來后,五郎的實力明顯逐漸提升并且順利的考上了大學(xué)…<ahref="https://lovedan.net"target="_blank">蛋蛋電影網(wǎng)</a>
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五張照片
其那日圖,耿曉璐,李進江,管宗祥,馬力,東濤,謝淑惠,韓廷琦,劉魁,張家福神犬查利
大濛
方郁婷,柯煒林,湯毓綺,曾敬驊,陳以文,蔡昌憲,陳竹升,詹馥瑄,胡智強,陳俊成,劉冠廷,林美秀,謝章穎,林志儒,陳季霞,王傳一,林雨宣,朱德剛,黃丞邦,廖邱堃,百白,許莉廷,江澄瑄,姜予,盧尉寧,紀(jì)亮竹,王明臺,李雪,林道禹,王靖惇,李國強,林澤凱,蕭東意,宋蕓樺,潘麗麗,周家寬紅棉襖紅棉褲
李連義,何冰,高子灃剩餐
卡洛斯·卡瓦略,勞拉·讓·馬什,Sumit Chakravarti,Eleonora Cucciarelli,Alvaro Flores,Shun Yin三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯同類推薦
花園街五號
李默然,龐學(xué)勤,方舒,龐好,李龍吟,劉童,王村人,胡爾西德·吐爾地,李仁堂,周諒量,張沖霄,詹靖波,阿爾斯朗·阿布都克力木,李萌,柏瑞桐,劉大航,馬明,劉彤彥1980年代初,東北某城市。即將退位的臨江市委書記韓濤(李默然 飾)為誰來接班大傷腦筋,兒媳呂莎(方舒 飾)勸他為賢人是用,他卻心存顧慮。劉釗(龐學(xué)勤 飾)是個勇于開拓型的干部,直率的性格平日里得罪不少人,副市長丁曉(王村人 飾)則老謀深算,諳熟為官之道。呂莎深愛著離異的劉釗,他們一個是精神病人的妻子,一個是被妻子拋棄的丈夫。而韓濤既不能無視劉釗勇于改革所取成就,又反感他鋒芒必露、咄咄逼人的斗爭銳氣。在省委組織部安排的一次書記人選民調(diào)測驗中,由于事前受丁曉的蠱惑,他無奈地投了棄權(quán)票。丁曉煽動啤酒廠江胖子(詹靖波 飾)告誣狀,阻撓劉釗抓臨江大廈工程,整個臨江暗流涌動......本片根據(jù)李國文同名小說改編。
英雄三元里
嚴(yán)屹寬,劉秋實,孫昊,聞雨,王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛多,馬鐵摩1840年鴉片戰(zhàn)爭爆發(fā),英軍侵略軍攻破廣州,飽經(jīng)鴉片毒害的百姓活在至暗時刻。蕭崗士紳何玉成(嚴(yán)屹寬飾)受關(guān)天培之托囑,立志尋找時機保衛(wèi)廣州城。 故事從三元里村武館教頭劉三義(劉秋實飾)和其兄弟韋紹光(孫昊飾)企圖燒毀十三行碼頭的洋商躉船開始... 影片質(zhì)樸還原了三元里抗英這段鮮為人知的史實,用悲壯美學(xué)與歷史質(zhì)感交織的視聽講述了鴉片館血案的個人復(fù)仇,到牛欄崗生死戰(zhàn)的民族抗?fàn)帯V戮疵褡逑容叄?dāng)外侮侵犯時,每一個挺身而出的小人物,都是照亮民族暗夜的英雄。
靈魂擺渡之風(fēng)華絕代
于毅,岳麗娜,何花,楊昆,倪虹潔,劉智揚近日,由北京完美建信影視出品,倪虹潔特別出演的新劇《靈魂擺渡3》曝光了劇場版《風(fēng)華絕代》的兩版預(yù)告。倪虹潔在劇中大膽挑戰(zhàn)了帶刺野玫瑰風(fēng)格的角色。不僅身穿白裙微露大腿,還言語挑逗師傅,似是上演了一出禁忌戀情。而在另一版預(yù)告中,倪虹潔梳起“大背頭”,以男裝造型登場,眼尾輕挑、眼神迷離的野性風(fēng)格“色誘”熒幕前的老司機。反差如此過大,網(wǎng)友強烈期倪虹潔上演的“雙面魅力”。有著口碑和點擊量雙好評的《靈魂擺渡》,時隔一年終于以完結(jié)篇的形式回歸熒屏。演員倪虹潔加盟《靈魂擺渡3》最受期待的劇場版《靈魂擺渡之風(fēng)華絕代》,扮演了一位充滿神秘色彩,而又雌雄莫變的“野玫瑰”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
派對島上的危險
林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey性格內(nèi)向的律師梅爾·戴爾得知她愛冒險的妹妹突然去世后感到悲痛欲絕。但當(dāng)她前往收集姐姐的尸體時,她很快就懷疑有人謀殺。她可能是下一個。