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春2025
特克拉·因索里亞,米凱萊·里翁迪諾,法布里齊亞·薩基,安德里亞·彭納基,瓦倫蒂娜·貝萊,斯特凡諾·阿科爾西,希爾德加德·德·斯特凡諾,米克·雅里,科西瑪·森圖里奧尼,費代麗卡·吉拉爾德洛,麗貝卡·安托納奇,Chiara Sacco,亞歷山德羅·布雷薩內羅,Roberta Potrich,Paolo Rozzi18世紀的威尼斯，皮耶塔孤兒院里，小提琴天才塞西莉亞（特克拉·因索里亞 飾）被困在命運的囚籠中，婚姻是她唯一的出路。直到新的音樂老師安東尼奧·維瓦爾第（米凱萊·里翁迪諾 飾）到來，這位充滿野心的作曲家，以音樂為鑰匙，為她打開了一扇全新的大門。在維瓦爾第的指導下，塞西莉亞在音符中找到力量，開始掙脫時代與身份的束縛，踏上追尋音樂夢想的道路。
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達特,阿俊·拉姆鮑,馬達范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
葉塞尼亞
杰奎琳·安德瑞,喬治·拉瓦特,艾爾瑪·洛扎諾,胡安·加利亞,奧斯卡·莫雷利,Pilar Sen,伊莎貝拉·科羅娜,Claudia Martell,艾麗西亞·羅德里格斯,奧古斯托·貝內迪克,維克托·阿爾科塞爾,何塞·巴伐利亞,羅莎·弗曼,Maria Wagner,費爾南多·索萊爾19世紀熱情洋溢的墨西哥小鎮，吉普賽女郎葉塞尼亞（杰奎琳·安德瑞 Jacqueline Andere 飾）和伙伴們暢快淋漓歌舞，她高傲聰慧，宛若一株帶刺的玫瑰，由于時常遭到白人的歧視，因此葉塞尼亞偶爾會偷錢懲治這幫勢力眼，卻不知道自己擁有怎樣曲折的身世。某天，葉塞尼亞在酒館算命，結識了自信滿滿的白人軍官奧斯瓦爾多（Jorge Lavat 飾）。一來二去的交往，這對有情男女墜入愛河。愛情的甜蜜與苦澀，令他們飽受折磨。勇敢的奧斯瓦爾多請求吉普賽頭人同意他們的結合，在葉塞尼亞外婆的點撥和撮合下，這個狂野女郎最終如愿和奧斯瓦爾多結為夫婦。幸福總是短暫易逝，葉塞尼亞和丈夫迎來了長時間的生離死別，他們的愛情也經歷了嚴峻的考驗……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼埃基,雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基為紀念逝世的奶奶，許久未見的堂兄弟大衛與班吉相約前往波蘭參加導覽團，也順道探訪奶奶的老家。一路上，班吉有話直說、率性風趣的性格迅速與同團人士拉近距離，令木訥拘謹的大衛既焦慮又羨慕，壓抑已久的情緒日益沸騰。然而，隨著旅途種種安排不斷挑動班吉的敏感神經，他的狂放不羈似乎逐漸走向失序，大衛試圖息事寧人，但內心的不安卻席卷而來。這趟尋根之旅，能否解決彼此心底難以言說的痛楚？
老板和小可愛
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納
芭比之間諜小隊
Rebecca Husain,Britt Irvin,Rachel Staman芭比和她最好的朋友特蕾、蕾妮在電影中分別扮演艾麗卡、斯蒂芬妮、珍妮三位體操運動員。在這個激動人心的冒險里，他們驚人的體操技巧引起了絕密間諜機構的注意，女孩們很快開始追查逃脫的飛賊們的線索。有高科技產品，迷人的偽裝授課和可愛讓機器寵物的相助，他們能否用智慧和團隊合作完成任務？