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薩利姆鬼屋事件
小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone新警長一家住進了免費的一個很大的老房子里,但里面卻有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
三滴血2025
胡歌,文淇,高子淇,閆妮,宋佳,高葉,歐豪,李雪琴,楊新鳴,艾麗婭,馬迎春,張奕聰,王悅伊,張本煜,汪鐸,劉千慈三，是家的最小單位。血脈，是維系家庭的紐帶。然而，三個素不相識的人卻被命運交織在一起！ 善惡難辨的男人“馴鹿”，身懷六甲的女人李棋，啞巴男孩冰棍，三人假扮成一家人，游走于獵物與獵人之間，暗流已至，生死一瞬，一個關(guān)于家族式人口販賣的黑暗鏈條逐漸浮出水面！
調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅?！ご?凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧20世紀末，波黑戰(zhàn)火籠罩的巴爾干地區(qū)。聾啞少女安吉爾（羅茜·戴伊 Rosie Day 飾）目睹了親人鄰居被武裝分子殘忍殺害的一幕，在此之后她也失去自由，與數(shù)名同齡女孩被擄至暴徒維克托（凱文·霍華斯 Kevin Howarth 飾）所盤踞的地獄之所。女孩們被迫淪為性奴，飽受摧殘與折磨，生命卑微有如在暴風雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜，她每天的工作便是穿梭于各個房間，為女孩們擦拭血跡，注射藥物，緩解疼痛，小小年紀卻見識了人世間最殘酷的景象。慘無人道且防守嚴密的人間煉獄，安吉爾決定帶著姐妹們逃出生天。當殺母仇人格倫突然來到此地，一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節(jié)影評人選擇獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
邊境交易
Abylai MARAT,Omurbek IZRAILOV,Meerim ATANTAEVA,Begaiym ASANAKUNOVA,Akylbek MURATALIEV,Jenishbek SMANOV,Atai OMURBEKOV在吉爾吉斯與哈薩克邊境，兩名毒販為錢途踏上一場艱險旅程，意外遇見剛從奴役中逃脫、滿身傷痕的女孩。正當他們試圖協(xié)助女孩越過邊界，她卻再度落入險境，他們決定不惜一切代價，也要將女孩帶回其家人身邊。中亞自然景觀壯麗，奔流不息的河水卻成為了人與人之間無法逾越的邊界。導(dǎo)演以離家工作卻慘被人口販賣的家人的親身經(jīng)歷出發(fā)，探討人在壓迫下的道德兩難，以及內(nèi)疚與遺憾如何塑造生命。
誠聘保姆
薩拉·湯普森,馬特·達拉斯,布魯斯·托馬斯,比爾·莫斯利,Monty Bane美麗少女安吉?阿爾布萊特（莎拉?湯普森 Sarah Thompson 飾）獨自到位于偏遠山區(qū)小鎮(zhèn)的亞當斯學院求學。這里看似安寧，卻是個地道的危險所在，一段時間內(nèi)不斷傳出女孩失蹤并被殺害的消息。某天，安吉在學校布告欄看到招聘保姆的通知。為了賺取生活費，她前往通知上所寫的農(nóng)莊應(yīng)聘。雇主是年輕的史丹頓夫婦吉姆（布魯斯?托馬斯 Bruce Thomas 飾）和瓦爾莉特（Kristen Dalton 飾），他們即將參加農(nóng)場舉行的集會，因此招聘保姆照看他們年幼的兒子山姆（凱伊?卡斯特 Kai Caster 飾）。應(yīng)聘當夜，山姆很早上床睡覺，安吉則獨自一人看書，這一晚似乎平靜輕松。但隨之后來的一系列事件隨即引起安吉的恐慌：默不作聲的騷擾電話、不斷撞擊的房門、沉默冷靜的山姆、經(jīng)常尾隨安吉的神秘男子。這一切的背后，仿佛隱藏著更為恐怖的秘密……