失落女人之家
Desdemonalivesonanisolatedislandwithherstrangefamily:herfatherMario,herstepmotherDulcineaandhermentallychallengedsisterPaulova.Astheonlyinhabitantsontheislandlonelinessanddesolationengulfallmembersofherfamily.Desdemonatriestowardoffherboredombytakinglongwalksalongthebeachorengaginginactsofself-gratification.Sheoftentri.海外手機影院
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加齊號的攻擊
拉納·達格巴提,凱·凱·門農,阿圖爾·庫爾卡尼1971年，印度與巴基斯坦之間在東巴解放戰爭之間的緊張局勢日益緊張，巴基斯坦海軍在一個高級秘密任務中計劃襲擊印度雄偉級航空母艦INS Vikrant，以控制孟加拉灣的水域 。 他們派出一流的潛艇PNS Ghazi(加齊號/勇士號)，但被印度潛艇INS Karanj（S21）攔截。 隨后發生水下攻擊。
彝海結盟
傅學誠,多布杰1935年5月，長征途中紅軍渡過金沙江進入四川涼山地區。這一帶是少數民族聚集的地區。蔣介石為了剿滅紅軍，調動了幾十萬大軍妄圖把紅軍圍堵在大渡河以南。為了能順利前進，中共黨中央委派劉伯承、聶榮臻帶領紅軍先遣隊為大部隊開路。一路上先遣隊英勇作戰，同時沿途宣傳黨的民族政策。涼山地區，由于國民黨反動派長期對彝族人民實行殘酷壓迫，民族隔閡較深。紅軍進入彝族區后，彝族群眾受到蒙蔽，不明真相，對紅軍實行處處阻擋的政策。紅軍堅持嚴格執行黨的民族政策，無論受到何種困難和刁難，都堅持不向受苦的彝族同胞開槍。這一切，彝族同胞都看在眼里，頭人小葉丹深受感動。他們申明大義，決心軍民結盟一起抗擊國民黨反動派。當時的紅軍參謀長劉伯承和小葉丹在彝海歃血為盟，先遣隊勝利地完成了任務，彝族人民送紅軍踏上新的征途。
詛咒之刃
A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one
掃惡
潘斌龍,包貝爾,趙潤南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,釋小龍,湯鎮業,九孔,常鋮千禧時代質感的動作犯罪類型，奇葩刑警隊長與背負殺父之仇的少年聯手追緝重出江湖的殺人劫車團伙，刺激爽感中不乏社會思考和感動。
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險，并全程微博直播。他們為自己的無知和膽大妄為付出巨大代價，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場意外的受害者，從醫生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調查后發現，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現一個倒計時的畫面，而業已歸零的正是當前的死者子妍?！ 〗^不相信鬼神傳說的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.