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平場(chǎng)之月
堺雅人,井川遙,坂元愛登,一色香澄,中村友理,緒方義博,吉瀨美智子,大森南朋,成田凌,倉(cāng)悠貴影片改編自朝倉(cāng)霞同名小說,講述了35年后重逢的中學(xué)同學(xué)青砥健(堺雅人 飾)和須藤葉子(井川遙 飾),彼此都是單身,積累了各種各樣人生經(jīng)驗(yàn)的兩人意氣相投,填補(bǔ)了自中學(xué)以來離別的35年時(shí)光,心靈相通的故事。
尋女朝圣路
切柯·扎羅內(nèi),比阿特麗斯·阿荷納,萊蒂婭·阿諾,Martina Colombari,Beatrice Abbro,Norberto Morán,David Salinas,杰克·福賽思-諾布爾,Cecilia Gragnani,Llimoo,Marko Salminen,Hossein Taheri,Eduardo Diaz,Carlos Toca,Fanny Gatibelza,Jan Zawisza,Odón Nicolau,Robi Arquette,Lola Perez-Juana,Frances沙發(fā)帝國(guó)繼承人Checco,過著奢華卻空虛的生活。在50歲生日前夕,他發(fā)現(xiàn)叛逆的女兒Cristal失蹤了,只留下一張指向圣地亞哥朝圣之路的紙條。為了找到女兒,Checco被迫放棄豪車豪宅,背上背包踏上艱苦的徒步之旅。在朝圣之路上,他腳起水泡、遭遇各種意外,遇到了形形色色的朝圣者,逐漸理解了女兒的想法,重新認(rèn)識(shí)了親情與人生。
姐妹2026
鄭知曉,李洙赫,車珠英改編自英國(guó)電影《愛麗絲的失蹤》 為了給弟弟的手術(shù)費(fèi)籌錢,海蘭與身為高利貸主的泰秀聯(lián)合策劃了一起綁架案,目標(biāo)就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個(gè)妹妹,當(dāng)身份關(guān)系揭曉,綁匪和人質(zhì)之間變得微妙起來……
被記住事物的氣味
若澤·馬丁斯,米娜·安達(dá)拉,Cláudia Carvalho,Zeca Carvalho,Jo?o Damasceno,Pedro Lamas,Paula Barata,Robson Lemos,Carlos Dias,Ricardo Vaz Trindade,Fernando Rui Damasceno,Teosson Chau,Maria Manuel Almeida,José Castela,Paula Furtado,Sofia Coelho,Maria José Almeida,Luís Fer年邁的葡萄牙殖民戰(zhàn)爭(zhēng)老兵被迫入住養(yǎng)老院,在與黑人護(hù)工赫米妮亞的相處中,不得不直面昔日戰(zhàn)爭(zhēng)的陰影,并在衰老與孤獨(dú)中獲得意外的慰籍。葡萄牙導(dǎo)演安東尼奧·費(fèi)雷拉延續(xù)其標(biāo)志性風(fēng)格,在養(yǎng)老院這一被忽視的空間內(nèi),探討人類處境的脆弱、死亡的必然與對(duì)救贖的渴望。
異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫(kù)卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當(dāng)斯)與老公(杰夫海恩嘉)為了想生個(gè)孩子,用盡了一切辦法,在求教過一位專門治療不孕癥的專家(詹姆斯凱倫)后,最后終于如愿以償?shù)爻晒κ茉小?原本滿心期待當(dāng)媽媽的薇吉妮亞,卻發(fā)現(xiàn)自己的身體起了不該發(fā)生的詭異變化,當(dāng)夫妻倆發(fā)現(xiàn)這個(gè)尚未出生的孩子竟是項(xiàng)瘋狂實(shí)驗(yàn)的成果時(shí),卻為時(shí)已晚,薇吉妮亞腹中的「胎兒」已成了兩人無法擺脫的惡夢(mèng)…
加美拉對(duì)大惡獸吉隆
加島信博,秋山みゆき,大村昆,笠原玲子,濱田優(yōu)子,船越英二冒険好きな二人の少年が、宇宙船に閉じ込められ第十惑星に連れ去られ、宇宙人に食べられそうになる。そこにガメラが現(xiàn)れて二人を救う。宇宙人はギロンをけしかけるが、ガメラの敵ではなかった。第3作に登場(chǎng)したギャオスが再登場(chǎng)するが、ギロンにあっさりやられてしまう。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.