絕頂5秒前
就連得到了夢想家的東浩也去了下一代,決定每天吃拉面。堅持自己家的東浩,有一段戀情 那是大學時代,每天,我都喜歡換這個女人 我想試試我的朋友成俊的段條紋。但最近我發現,我甚至沒有一個女人 當我在黑暗中時,隔壁的門打開了,我撿起了收集袋。在發現一個有魅力的女人(素熙飾)后,她變得著迷。東浩決定一個月后和她出去,他平時性格膽小,但又有點瀟灑,卻不看他一眼,對他冷淡......自尊心被剝奪的東浩稱成俊的出差按摩我和回家的性感按摩妹美娜度過了一個迷人的夜晚......然后我聽到隔壁女孩的聲音敲了東浩的門。東浩能找個鄰家女孩嗎艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
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劇情提要
就連得到了夢想家的東浩也去了下一代,決定每天吃拉面。堅持自己家的東浩,有一段戀情 那是大學時代,每天,我都喜歡換這個女人 我想試試我的朋友成俊的段條紋。但最近我發現,我甚至沒有一個女人 當我在黑暗中時,隔壁的門打開了,我撿起了收集袋。在發現一個有魅力的女人(素熙飾)后,她變得著迷。東浩決定一個月后和她出去,他平時性格膽小,但又有點瀟灑,卻不看他一眼,對他冷淡......自尊心被剝奪的東浩稱成俊的出差按摩我和回家的性感按摩妹美娜度過了一個迷人的夜晚......然后我聽到隔壁女孩的聲音敲了東浩的門。東浩能找個鄰家女孩嗎艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.