沉迷按摩的準新娘

最后命令

 一個臨時演員被召去在一部關于俄國革命的電影中扮演一名將軍,然而,他并不是一位普通的臨時演員,他就是謝爾蓋·亞歷山大,尼古拉斯沙皇時期的一位前將軍。他在1917年共產主義革命后從俄國軍隊里逃到了好萊塢。現在,為了使電影的導演,一個也曾參加過俄國革命的人滿意,他被迫要去重新 經歷那一段曾帶給他無窮苦痛的生活。這一次,這個倒霉的將軍有機會去“贏得”那曾經一敗涂地的戰役。電影閃回到亞歷山大在俄戰中的艱難生活。他感到無論他怎樣努力,似乎都無法阻止歷史的車輪滾滾向前。但是有一個女孩理解他,因為他的強烈的愛國精神和正派的行為,這個女孩愛上了他……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

雨和閃電的氣息

　　改編自著名推理作家南希．皮卡德於《紐約時報》的暢銷同名小說　　過往的父母雙屍命案,因為殺人兇手出獄而再度成為喬蒂的噩夢,她被迫再次審視那道往日的傷痕,並且身不由己地反覆被仇恨啃噬…而家族秘辛也隨著時間過去,重新露出面目,要讓所有人都付出代價…。

致命圍困

　　馬里斯特拉扎被稱為建筑界的藝術家和大師，他所設計的建筑被同行奉為典范。在某個，一幢馬里斯特拉扎的代表作拔地而起，然而這里卻發生了慘絕人寰的兇案。許多無辜之人被砌在墻壁中，澆筑水泥窒息而死，這幢大樓也從此廢棄。　　15年后，年輕美麗的女拆遷工程師薩曼莎（Mischa Barton 飾）自學校畢業，她從父親手中得到拆毀那幢大樓的任務。薩曼莎獨自一人前來，在這里認識了女管理員瑪麗?蘇特（Shannon Jardine 飾）和她的兒子吉米（Cameron Bright 飾）。從母子的口中，薩曼莎得知這幢大樓的一些禁忌，而在吉米的引導下，她逐漸發現這里陰暗的一面……

機械怪獸

巖漿毒蛛

　　在洛杉磯火山噴發釋放出巨大的群熔巖呼吸狼蛛。