在線播放
劇情簡介
莉吉內塔小姐的冒險 1 買了廉價別墅的里吉內艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。然而,那是充滿怪物的意外財產……奪回和平別墅地的戰鬥,現在打響了。
同類好片
神探忠犬2:狼之城
艾倫·艾克哈特,坦婭·范·格拉恩,卡爾·桑寧,多米尼克·馬厄,杰西卡·雷·斯坦利,莫特西·泰卡泰卡國家韋恩:念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀平,夏八木勛,龍雷太,相馬剛三,丹波哲郎,津村鷹志,渡邊文雄,財津一郎,海老名美どり披薩電影
伽塔·馬塔拉佐,莎拉·謝爾曼,露露·威爾遜,肖恩·吉布朗尼,馬庫斯·斯克里布納,凱萊布·希倫,佩頓·伊麗莎白·李,小克里斯·施密特,杰克·馬丁,Shiv Pai,Adam Herschman,瑞安·米喬,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia浪漫殺手真人版
上白石萌歌,高橋恭平,木村柾哉,中島颯太,高橋光,伊藤俊介,上坂樹里,森香澄,本多力,藤堂日向,津田健次郎,白濱亞嵐,宮田俊哉,倉悠貴,醍醐虎汰朗,犬飼貴丈,西垣匠,優太朗,內藤秀一郎,豐田裕大,高杉真宙,矢本悠馬,藤原丈一郎,佐藤大樹,與那城獎,竹財輝之助驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al Jeffry人氣佳作
驚聲尖叫7
內芙·坎貝爾,伊莎貝爾·梅,柯特妮·考克斯,梅森·古丁,賈思敏·薩沃伊·布朗,大衛·阿奎特,馬修·里沃德,斯科特·弗利,塞萊斯特·奧康納,阿薩·格爾曼,麥肯娜·格瑞絲,薩姆·雷希納,米歇爾·蘭道夫,吉米·塔特羅,安娜·坎普,喬爾·麥克哈爾,馬克·康蘇斯,伊桑·恩布里,維克托·特平,Scott Allen Frederick,艾米·彭伯頓,Josh Thrower,Cyle Winters,羅格·杰克遜毛骨悚然撞鬼經 2022夏季特別篇
稻垣吾郎,神尾楓珠,山下美月,小野花梨,佐佐木明希,鈴木優華,巖田剛典,梶原善,大友花戀,田中美佐子,千原靖史,高城蕾妮,百田夏菜子,玉井詩織,佐佐木彩夏53個周日
亞歷山德拉·希門內斯,卡門·馬奇,哈維爾·古鐵雷斯,哈維爾·卡馬拉友情的游戲
貝拉·索恩導演精選
怨林深處
單身母親西塔帶著視障女兒金迪斯,為改善生活從北加浪岸前往三寶壟,踏上穿越“阿拉斯·羅班”死亡公路的夜班車。巴士在荒郊拋錨后,母女倆被迫滯留這片以靈異傳說聞名的森林地帶。金迪斯開始頻繁聽到詭異低語,行為也愈發怪異,西塔逐漸意識到,這片土地的古老邪靈已盯上了女兒。她必須在無盡的恐懼中,找到保護女兒的方法,直面這片死亡公路背后的黑暗秘密。
如來神掌2020
龍劍北因為要籌錢救自己病重的妹妹,在一次機緣巧合之下,接觸到神秘組織黑羽會,黑羽會不斷在做人體實驗,企圖造出擁有超能力的改造人。為了錢,龍劍北接受超能力改造。由于控制不了體內的超能力,龍劍北拜了一位老者為師,學習駕馭超能力,學會了如來神掌,并結識了一位武林中的名門正派,二人一同上路,展開了各種緊張刺激的冒險……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.