影片推薦
宇宙巨人:希曼崛起
尼古拉斯·加利齊納,卡米拉·門德斯,伊德瑞斯·艾爾巴,杰瑞德·萊托,夏洛特·萊利,詹姆斯·鮑弗,莫蕾娜·巴卡琳,愛麗森·布里,克里斯汀·韋格,約翰內(nèi)斯·豪克爾·約翰內(nèi)森,阿爾蒂·威爾金森-亨特,薩希爾·澤瑪塔,馬克斯·克勞斯,科喬·阿塔,山姆·C·威爾遜,哈夫托爾·尤利烏斯·比約恩松,埃爾·法瑞爾,詹姆斯·威爾金森,Jon Xue Zhang,斯蒂芬·阿登坦失蹤謎案
塔布,安努·卡波爾,馬諾杰·巴杰帕伊交響詩(shī)篇超進(jìn)化2
湖海迷情
宋星辰,特力克·爾斯汗,李一聰,加盆,塞力克拜·阿依恒細(xì)骨小屋
賽迪·斯歐維奧,喬莉·理查德森,尼爾·林波77號(hào)頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio同類精選
諾曼底72小時(shí)
安德魯·斯科特,布蘭登·費(fèi)舍,凱瑞·康頓,克里斯·梅西納,戴米恩·路易斯,亨利·阿什頓,康·奧尼爾,塔姆馨·托波爾斯基,威爾·柯班,丹尼爾·奎恩-托伊,邁克爾·本茨,杰米·B·錢伯斯,哈里森·奧斯特菲爾德,泰勒·厄特利,理查德·克洛西爾,麥克斯·克羅斯,喬舒亞·希爾,托比·威廉姆斯,羅莎娜·布朗,保羅·貝利星際之旅:木星計(jì)劃
讓-尼古拉·韋羅,朱莉·佩羅特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Rapha?l Lacaille,Hubert Gagnon再會(huì)亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚(yáng)·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen那個(gè)孩子是誰(shuí)?
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司木蘭:血刃
楚璦旭,魏巍,王崗,李諾菲藍(lán)宇
胡軍,劉燁,蘇瑾,李華彤,盧芳,張永寧,李爽,李濱,趙敏芬,張少華影視排行
羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban本片在2025年圣丹斯電影節(jié)一舉拿下世界劇情片競(jìng)賽單元評(píng)審團(tuán)特別獎(jiǎng)(創(chuàng)作視野)和觀眾獎(jiǎng)兩項(xiàng)大獎(jiǎng)。馬其頓偏遠(yuǎn)村莊的15歲的牧羊少年沉醉于音樂世界,但在傳統(tǒng)社會(huì)規(guī)則下,他必須面對(duì)來(lái)自周遭環(huán)境與父親的質(zhì)疑。某日放羊途中,他偶遇了一場(chǎng)大型的電子舞會(huì),邂逅令他心動(dòng)的女孩……導(dǎo)演喬治·M·溫科夫斯基的長(zhǎng)片首作試圖探索集體期望與自我表達(dá)之間的微妙平衡。片中鮮活的色彩、詼諧的橋段、惹人憐愛的角色和韻律十足的音樂,為這個(gè)成長(zhǎng)故事注入勃勃生命力。影片溫柔且有力地回答了藝術(shù)如何成為精神避難所,又如何變?yōu)槌砷L(zhǎng)催化劑。
牯嶺街少年殺人事件
張震,楊靜怡,張國(guó)柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國(guó)強(qiáng),陳湘琪,金士杰結(jié)識(shí)小明(楊靜怡)前,小四(張震)是典型的乖仔,是父母的希望和兄妹的驕傲(一家人指望他考上名牌大學(xué)將來(lái)提升全家的社會(huì)地位),他有一個(gè)喜歡搖滾樂的自稱“小貓王(王啟贊)”的好友,兩人雖會(huì)去樹林看人幽會(huì),但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活。 喜歡上小明后 ,小四便像跌進(jìn)一個(gè)無(wú)底深淵,開始被外界的各種力量牽著鼻子走。新識(shí)仰慕對(duì)象honey(林鴻銘)意外身亡,一向敬重的父親的自尊與精神因?yàn)槟炒问录?yán)重受損,加上將一次次“欺騙玩弄”他感情的小明“看透”,血?dú)夥絼傆钟泻軓?qiáng)道德感的小四終于走上犯罪的道路,期望用自己的刀結(jié)束事件的根源。但小四不知的是,他眼中的根源只是這條食物鏈中微不足道的一環(huán)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
東北往事·極惡不赦
劉牧,陶慧,王小毅,丁宇佳,魏子千,李飛揚(yáng),梁靖晨 Jingchen Liang,丁海峰,張潮,葛四,吳爾渥1995年,東北吉春市,兩名戴著麻布頭套的悍匪連殺數(shù)人劫走巨款,現(xiàn)場(chǎng)不留活口,手法毒辣到讓全城膽寒。警察局長(zhǎng)命令刑偵隊(duì)長(zhǎng)張震調(diào)查此案。早已隱退“江湖”多年的趙紅兵因戰(zhàn)友被殺,決定聯(lián)合刑偵隊(duì)長(zhǎng)張震為犧牲的戰(zhàn)友討回這筆血債。