只有丈夫不知道的繼母秘密共享

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

假日旅館

 影片由一系列音樂片斷構成，由擅長歌舞巨片的馬克·桑德里區執導。其中每一首插曲都以美國的節假日為線索，又都巧妙地集中到一對情敵的身上。本片獲1943年第15屆奧斯卡最佳編劇和最佳音樂獎提名！一家開設在公路邊的旅館，兩個年輕的合伙人哈迪和海諾沃同時愛上了一位姑娘。海諾沃（由著名舞蹈家弗雷德·阿斯泰爾飾）盡管在愛情的追逐中連連占先，但最終還是敗給了哈迪（由著名歌星賓·克羅斯比飾）。哈迪是位酷愛音樂的懶散的人，他退休回到新英格蘭農村，每逢節假日，他的農場就成了娛樂總會……

七月寒潮

　　出于自衛，理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報復。然而不久，敵對雙方就發現事實并不像表面展現的那么簡單，他們不得不聯合起來面對黑暗的真相。

無主之人

　　伊利亞·伍德將主演犯罪題材驚悚片[無主之人](No Man Of God，暫譯)。Amber Sealey執導，C·羅伯特·嘉吉([險惡])操刀劇本。影片設定在一個單獨的審訊室中，故事根據FBI心理分析師比爾·哈格邁爾(伍德飾)與連環殺手邦迪于1984年至1989年之間的對話文字摘錄改編，影片將詳細介紹邦迪在死囚牢房最后幾年間，兩人之間復雜的關系。

地獄無淚

女兒樓

 喬小雨（許曄 飾）來到了位于山區的一間野戰醫院，成為了那里的一名護士，此時的她并不知道自己將要遭遇怎樣嚴峻的考驗。在醫院里，喬小雨接收了一系列的訓練和試煉。喬小雨雖然身世坎坷，卻也只是一個平凡的女孩，屢屢發生的挫折和意外考驗著她內心的堅定。最終，喬小雨憑借著自己的努力越過了一道又一道難關，獲得了教官的肯定和患者的信賴，成為了一名能夠獨當一面的優秀護士。喬小雨渴望能夠念大學，可是，她考大學的名額卻被另一個護士給頂替了。絕望之中，喬小雨第一次向患者發了火，這個倒霉蛋就是丁翥（哈斯巴根 飾）。實際上，丁翥早已經默默的愛慕喬小雨很久了，可是嚴明的軍紀讓他們無法走到一起。