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三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯墻頭記之少兒篇
韓文庚,李繼凱,王夢涵,王紀營,孫若馨,王光昊咒·絲
戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤芭比與三劍客
Kelly Sheridan,Tim Curry,Kira Tozer再見六月
凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins同類推薦
愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼一場車禍奪走了萊利的生命,她近乎完美的生活突然中斷,留下一個沒有母親的家庭。隨著調查的開始,萊利的妹妹凱莉發現這場車禍可能不是她妹妹死亡的真正原因,案件發生了奇怪的轉折。
鏢人:風起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上,鏢人、官府、西域五大家族等多方勢力盤根錯節、暗潮涌動。“天字第二號逃犯”刀馬接下特殊押鏢任務,和同伴一起從西域護鏢遠赴長安。不料,他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來,各方勢力聞風入局,搶鏢廝殺接連上演……
彭大將軍
丁笑宜,古月,劉懷正,柴云清,王天鵬,黃中秋,谷永成,劉占坤,曹建中,浮學杰,謝志誠,毛玉文,張晏,李萬年,袁進,鄧茜,孫飛虎,孫達生,徐秋成,水天達,郭達影片以彭德懷同志在“文革”前和文革剛開始的經歷為主體,不斷穿插閃回各種歷史片斷,用傳記片的手法反映了他富有傳奇色彩的一生,使觀眾對他光明磊落、胸懷坦蕩、剛正不阿德個性和雄才大略有了一個全面直觀的認識。影片從歷史的真實面貌出發,并沒有將主人公神化,而是將一個有血有肉可親可敬的領袖人物全面的展現出來。影片熱情地贊揚了彭總的赫赫戰功,謳歌了彭總剛正不阿、直言敢諫、堅持真理、不畏權勢的精神。相比較其他開過元帥,彭德懷的耿直和心胸是永存于歷史的。歷史,是不會磨滅他的功勞。人民,不會忘記他的功勞。
蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細川佳央,橋野純平,中山求一郎柾木在大學好友池內的邀請下去觀看舞臺劇,并被登臺表演的芙蓉所吸引。然而,他逐漸開始懷疑芙蓉與池內之間的關系。于是柾木與一個對芙蓉心懷厭惡的神秘女子小林合作…… 影片根據江戶川亂步的同名中篇小說改編。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster