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癡狂錄
昂格利基·帕普利亞,揚(yáng)·貝弗特,克里斯特斯·帕薩利斯,瓦西里斯·馬古里奧蒂斯一位海洋考古學(xué)家開啟了一項(xiàng)突破性的科學(xué)實(shí)驗(yàn)。她打算驗(yàn)證一個(gè)理論：黑膠唱片的物理制作工藝與陶器相似，因此某些古典雙耳瓶可能意外記錄下了2500年前的簡單聲音，并在今天得以播放。為了在古瓶上實(shí)驗(yàn)前先制作測(cè)試模型，她拜訪了她的前姐夫——一個(gè)冷酷又古怪的雕塑家。實(shí)驗(yàn)的結(jié)果卻是一場超乎人類荒謬想象的意外。
7號(hào)房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達(dá)洙,樸元尚,鄭滿植,葛素媛1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長的女兒。龍久懵懂無知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號(hào)牢房中，聚集著走私犯蘇楊浩（吳達(dá)洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬范（金正泰 飾）、恐嚇犯老徐（金基燦 飾）和搶劫犯申奉植（鄭萬植 飾）等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”，他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi)，7號(hào)牢房陽光滿滿……
在你的愛情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰講述安倍晴明學(xué)生時(shí)代的故事。在陰陽寮，被譽(yù)為天才的安倍晴明與其他學(xué)生截然不同，他是個(gè)有些討人厭且對(duì)成為陰陽師毫無興趣的怪人。 有一天，晴明受到貴族源博雅的委托，解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突，但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索，引發(fā)了卷入平安京的邪惡陰謀和詛咒的動(dòng)亂。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
天使航班電影版
米倉涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動(dòng)搖。萬圣節(jié)期間，公司成員奔赴世界各地處理送還事務(wù)：有人面對(duì)因嬰兒猝死而自責(zé)的母親，有人護(hù)送突然離世的明星回國，也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務(wù)時(shí)，一邊處理逝者身后事，一邊被舊日戀情的線索牽動(dòng)，在生死與思念交織中重新審視自己的內(nèi)心。