車下的欲望

評分:2.8 播放:31萬 更新:2026-06-14
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惡魔們

張東潤,吳代煥,崔奎華,張宰昊,孫鐘學(xué),申承煥,尹炳熙

多年來,偵探Jae-hwan一直癡迷于捕捉Jin-hyuk,負責(zé)他的搭檔和姐夫的死亡的連環(huán)殺手,即使復(fù)仇的道路意味著跳過一些規(guī)則。但是,當(dāng)拖延已久的相遇終于到來時,事情并沒有像預(yù)期的那樣進行——經(jīng)過一場追逐和一場混亂的事故,在失蹤了一個月之后,Jae-hwan被銬在醫(yī)院的病床上醒來,卻發(fā)現(xiàn)他被困在Jin-hyuk的身體里,而反過來,兇手正在取代他和他的家人在一起。但這只是一個起點,一個曲折、極端的敘事,充滿了令人驚訝的轉(zhuǎn)折,并染上了鮮血和霓虹燈的紅色。在他的殘酷處女作中,金在勛(Kim Jae-hoon)借用了身體轉(zhuǎn)換的比喻,以塑造類型電影愛好者的盛宴。

勝利之歌

詹姆斯·卡格尼,瓊·萊斯利,沃爾特·休斯頓,理查德·沃爾夫

 本片本講述的是:喬治·柯漢是本世紀前期著名的百老匯表演藝人,身兼演員、作家、作曲家與舞蹈家于一身,他的生平故事可以說反映了四十年代以前美國娛樂事業(yè)的生態(tài)。本片是導(dǎo)演邁克爾·柯蒂茲與編劇愛潑斯坦尼兄弟合作的另一佳片,描述柯漢從一個地位卑微的兒童演員力爭上游變成百老匯巨星的一生。以出色的制作和歌舞場面重現(xiàn)當(dāng)年的娛樂圈面貌,并側(cè)面反映了當(dāng)時的美國社會脈動。在三十年代以主演黑社會片享有盛譽的詹姆斯·卡格尼改變戲路,在銀幕上又唱又跳,生動而細膩地注釋了主人翁的形象和個性,因而勇奪奧斯卡最佳男主角金像獎,片中出色的歌舞表演亦令人看得眉飛色舞

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  2012韓國電影《無情的城市》堪稱“韓國版《撞車》”,以9個人物為中心,講述他們在24小時內(nèi)發(fā)生的連環(huán)悲劇。李基英在片中飾演一位放高利貸的放債人,他放貸給面臨破產(chǎn)危機的金大宇(金石勛飾),在金大宇沒能力償還高利貸后李基英就以此為借口威脅金大宇說要摘除他的臟器。特別是李基英在殺死自己的妻子后,當(dāng)他被指定為嫌疑人接受調(diào)查時面不改色、處變不驚、泰然處之的演技表現(xiàn),令人感到毛骨悚然。

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