理療師與可愛的女運動員
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan女主是一位長跑運動員，因長期勞累，專門找一位水平較高的理療師為自己按摩，這位理療師手法十分嫻熟，也非常專業，包括按摩期間一些精油和服裝都有所講究，為了更方便按摩，女主被要求脫去胸罩，只用一張毛巾遮住胸部，而理療師的手也漸漸向女主的私密部位侵犯，讓女主頗為尷尬，而隨著按摩的不斷深入，女主內心的性欲似乎也被激發，而跟女主有著同樣遭遇的女性，還有很多....
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即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅神秘孤島上只有一座何家古堡，以前死過很多人。半癱少女何思怡（李庚希 飾）離家17年后歸來，父親卻離奇失蹤，迎接她的是美艷溫柔的繼母（鄧家佳 飾）、風度翩翩的私人醫生（黃曉明 飾）、年輕健碩的司機（劉奕鐵 飾）和萬般貼心的女傭等人。這一切看似平靜，但不時響起的古怪聲音，似有若無的血腥氣味，似乎都藏著這座古堡不可言說的秘密，一步步將這家人 拖入萬劫不復的深淵，一場蓄謀已久的復仇大戲漸漸拉開帷幕……
翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫珀故事發生在第一次世界大戰期間，瑪麗（克拉拉·鮑 Clara Bow 飾）暗戀著英俊的杰克（查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾），可是杰克的心思卻全部放在了大小姐西爾維婭（喬拜娜·勞斯頓 Jobyna Ralston 飾）身上，無奈西爾維婭亦有她的心上人，那就是富家子弟大衛（理查德·阿倫 Richard Arlen 飾）。戰爭爆發了，大衛和杰克投身軍隊為國家效力，在軍中，身為情敵的兩人關系漸漸緊密，之后成為了摯友。一場激烈的戰役中，大衛遭遇了意外，悲痛的杰克決心為朋友報仇。然而，杰克并不知道的是，大衛沒有死，他甚至偷到了一架敵機。正當大衛喜滋滋地駕駛著敵機返回營地之時，與為朋友報仇心切的杰克撞了個正著。
死人開關
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事發生在1977年2月8日，圍繞一名44歲的前房地產開發商Tony Kiritsis展開。他用槍劫持了貸款公司總裁Richard O. Hall，并在其身上綁了一個“死亡開關”，以此脅迫這位總裁在幾近零度的天氣里當著警察和記者的面穿過市中心的街道。
丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特故事圍繞黃瓊展開，她8歲移民美國，始終難以融入周遭。渴望融入美國社會的她，癡迷于贏得“舞會皇后”頭銜，將其視作被接納的象征。當親眼見證舞會皇后加冕 —— 那正是她向往成為的模樣時，這份執念愈發強烈。為實現目標，瓊發現了一項能改變種族的新科技，借此將自己變成了白人女孩。然而，當她改造后的面容開始衰敗，她的追求走向黑暗轉折，迫使她直面自身行為的后果。
阿勒泰之歌
阿依波塔·杰恩斯,銀珠·木拿里別克,海拉提·哈木,張大磊,張雅玫,達列力汗·哈德爾,阿來·阿依達爾汗,葉爾那爾·俄合拉斯別克,阿力木江·吐爾斯拜克,麗娜·夏侃,阿依江·賽力克,達布力·黑巴提,庫力加孜拉·比亞地本片由《阿利亞的吉爾巴拉》《風的約定》《別時青青》《那時我還小》《古麗娜的枕頭》五部短片組成，故事聚焦阿勒泰普通人的平凡生活……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.