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弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato爆旋陀螺電影版:激戰!小龍VS大地
熊井統子,永澤菜教,竹內實生,高乃麗,折笠愛,久川綾,桑島法子,菊地志穂,橫山智佐,手塚ちはる,橘U子養鬼吃人9:啟示錄
史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen泰國派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁犯罪現場調查完結篇:不朽
特德·丹森,喬雅·福克斯,艾瑞克·茲曼達,羅伯特·大衛·豪爾,華萊士·朗翰,大衛·伯曼,伊莉莎白·哈諾伊斯,喬·維爾內爾,威廉·彼德森,瑪格·海根柏格,保羅·吉爾福伊爾,邁克爾·比奇,布瑞達·伍爾,凱蒂·史蒂文斯,Alexandra Barreto同類推薦
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優現在是2003年,國際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國入侵伊始就在伊拉克工作。在調查一個未被發現的武器藏匿處時,他發現了一個可疑來源的生物制劑,他很快意識到這種生物制劑已經危及他的生命。撞倒在地,他危險的軌跡與美麗的國會援助伊蓮娜·波佩斯庫(拉維尼婭·波波拉切)相撞,后者發現自己被自己的危險包圍著。他們聯合起來,被迫質疑一切,同時努力比那些希望他們沉默的人領先一步。
總統的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人人都中頭獎,難道人人都想中頭獎?九十年代伊拉克經歷軍事及經濟制裁,獨裁者薩達姆無懼動亂,勒令全國為自己慶祝生日。九歲女孩「喜獲頭獎」成為學校代表,被迫接下為總統炮制生日蛋糕的國家級重任。然而通貨膨脹、物資匱乏,雞蛋面粉都是奢侈品,女孩帶著寵物公雞,從沼澤向城市出發搜羅食材,完成這項國家交給她的任務!首有伊拉克電影進軍戛納,編導借小女孩充滿稚氣卻堅韌的目光,展現伊拉克從未被記錄過的一面,獻給在戰亂下仍能找到愛與友誼的小孩。戛納電影節金攝像機最佳首作。
神犬查利
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
虛擬實驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發明了革命性的藥品型軟件,可直接在人類大腦中創造虛擬現實,僅幾秒鐘就能體驗幾小時或幾天的激動人心的冒險。仁要拯救弟弟于記憶迷局,而合作伙伴一心只想賺取利益,但是一切都是記憶連環套……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster