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77號(hào)頂層公寓
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瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奧爾蒂斯,萊昂內(nèi)爾·博伊斯,梁振邦,米拉娜·薇恩翠,普里亞·坎薩,利茲·金斯曼,馬拉基·卡比,梅麗爾·斯特里普,尤妮斯·胡特哈特,雷·波特,達(dá)米安·德·弗羅貝維爾,安妮勒·奧拉萊,米婭·索特里烏,巴斯蒂安·安東尼奧·富恩特斯,愛(ài)麗絲·布里塔因,瑪雅·伊娃·侯賽因,邁克爾·阿金綏爾,特拉維斯·杰,杰弗里·蘭布,保羅·蘭伯特,奧賴恩·李,亞倫·尼爾,米歇爾·格里尼奇,伯恩哈德·舒茨貓吻:當(dāng)你打開(kāi)心扉的那一瞬間
吳東旻,???鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見(jiàn)明里,槙田雄司,穂紫朋子,天野花奈,山川真里果鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad紅嫁衣:紙新娘
何雨宸,賀剛,邱俊龍,許諾,雷琨,張宸彬,徐喆,朱嘉鎮(zhèn)同系列推薦
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樸寶英,周元,江星大熊
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馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun幸存者2015
馬丁·麥凱恩,米婭·高斯,安德魯·辛普森,巴里·沃德,歐文·弗熱瑞,道格拉斯·羅素,凱瑞爾·肯尼迪,瑞安·麥克法蘭,邁克爾·奧·萊恩,夏蘭·弗林雛菊1966
雅羅斯拉夫·庫(kù)切拉,伊萬(wàn)娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková藍(lán)鷺
Eylul Guven,艾米·齊默,Iringó Réti,埃迪克·貝多斯,ádám Tompa,Liam Serg,Preston Drabble,露西·特恩布爾,Jecca Beauchamp,Georgia Blake幕后花絮
八棺索財(cái)
一個(gè)商業(yè)酒店因?yàn)槿痣x奇死亡案件被社會(huì)各界所關(guān)注,一時(shí)間流言四起,有人說(shuō)這是蓄意謀殺,也有人認(rèn)為純屬意外,甚至網(wǎng)絡(luò)上有神人稱酒店施工曾挖出八具棺材,地形暗合了一個(gè)叫“八棺索財(cái)”的道家陣法。記者蘇莉、女網(wǎng)紅與其老公陳宇天,兩撥看似不相干的人組成奇葩小分隊(duì),一起走進(jìn)詭異酒店,等著他們的,是福還是禍?
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.