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邊境戰(zhàn)爭2
瓦倫·達萬,桑尼·戴爾,迪爾吉特·多桑,阿汗·謝迪,Hariom Kalra,莫娜·辛格,索納姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕蘭維爾·切瑪,阿努拉格·阿羅拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan1971年印巴戰(zhàn)爭期間，年輕的印度戰(zhàn)士準備保護自己的家園免受更大的威脅。
大明嬪妃之爭寵
宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍大婚之夜，太子獨自喝醉，留下姚芊芊盛裝獨坐到天亮。太子本宣蘭心侍寢，卻傳來畫室失火的消息，太子走后，蘭心因為擔心張清遠也尾隨而去，卻被張清遠告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯誤時間，致使蘭心在雪中凍了一夜，被太子發(fā)現(xiàn)救回。 姚芊芊跟鄭貴妃抱怨遭冷落，正逢三皇子前來，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時間宣布自己有孕。 金碧瑤因被姚芊芊掌摑而與蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因為想爭寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫(yī)醫(yī)治，原來，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來，一切都是姚芊芊與金碧瑤的詭計。而金碧瑤也因為太子中毒認清了姚芊芊的真面目。 鄭貴妃拷打蘭心，逼她簽寫敗壞太子聲譽的供詞，蘭心誓死不從。關(guān)鍵時刻，太子及時趕到并帶走蘭心，卻在路上暈倒，蘭心感動不已。 姚芊芊收買了丫鬟向張清遠報信，讓他以為蘭心被太子害死，并用調(diào)虎離山計調(diào)離了蘭心。蘭心在路上感覺不對，匆匆往回趕，正好看見張清遠持刀向太子刺去。蘭心以身相代，并控制不住問張清遠為何不守信約，張清遠卻因為刺中蘭心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來，又為何獨自在雪中待了一夜。 蘭心幸好沒有被刺中要害，活了下來。太子正想審訊張清遠，卻已發(fā)現(xiàn)張清遠吊死在橫梁上，并留下了給蘭心的生死訣別書。
變異雙頭蛇
陳堃,莫佳荻,韓陽,武雨晴,王黎林宇與三名女孩遭遇空難，不幸流落至一座荒無人煙的孤島，剛上岸便遭遇一頭兇猛的變異雙頭蛇襲擊。危急時刻，容貌靚麗、身手矯健的當?shù)嘏林炑偶皶r出現(xiàn)，憑借對島嶼環(huán)境的熟悉，成功引開雙頭蛇，將四人救至一處隱蔽山洞。在艱難的孤島求生中，林宇作為唯一的男性主動守護眾人，朝夕相處間，他與四名女孩漸生情愫，陷入了兩難的感情糾葛。好景不長，思瑤慘遭雙頭蛇伏擊吞噬，若琳也不幸遇害。悲痛之下，林宇、婉晴與頌雅聯(lián)手，借助頌雅祖輩流傳的經(jīng)驗，摸清毒蛇怕強光和特定植物汁液的弱點，巧用簡易工具設(shè)下陷阱，最終成功消滅雙頭蛇，林宇也找到情感的歸宿。
楊非與高俐
劉道玄,彭必瑤,潘國棟,劉占奎,陳緯,高果高俐醉酒被強哥等人綁架索贖金一億，楊非因父需百萬手術(shù)費趕路時車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術(shù)費，二人相戀。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個困擾的城市傳說的現(xiàn)實面對面。