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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
一個目光明亮的新生決定和一個受歡迎的學生住在一起,這導致了一段令人興奮的新友誼,但逐漸演變成一場微妙的意志之戰。
出身穆斯林家庭的少女法蒂瑪,即將前往巴黎讀大學。站在人生岔路口,她面臨性向與信仰的纏斗。對女體難以啟齒的貪戀,化為交友軟件上無數個假名與忘我纏綿的幽會。隨著晨禱摻入雜念,法蒂瑪遇見命定的那個她,在親密關系里感受愛與傷,卻依舊迷茫。四季遞嬗間,那些捫心自問的日與夜,會將法蒂瑪帶往何方?
該片講述了道士們爭奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時光之門被打開后,引發的異想天開的故事。