雌貓們

評分:1.1 播放:38萬 更新:2026-06-12
主演: 白石和彌/

電影公司「日活」創業百年,最具代表性的一個品牌,是在七、八十年代風靡一時的「粉紅映畫」(日文叫RomanPorno,海外稱之為PinkMovie),亦即是浪漫化的成人電bbb。今年適逢「粉紅映畫」誕生四十五周年,「日活」特別籌劃了「RomanPornoReboot」計劃,找來園子溫、行定勳、中田秀夫、鹽田明彥、白石和彌五位名導操刀,各拍一部粉紅片。五人要跟足過往的游戲規則:每十分鐘要有一場情慾戲、片長必須在七十至八十分鐘之間、一律只有很低的製作費、要一星期內完成拍攝,其他一切自由發揮。結果證明五位導演不但玩得起,而且還玩得極有一手。鹽田的《濕濡的女人》最先曝光,重新演繹「粉紅」經典《濕濡的戀人們》,講野性少女在海邊故意濕身,然后賤價賣身給路過的男人。白石執導的《雌貓們》同樣向經典《雌貓們之夜》致敬,新版搬到池袋街頭上演,講在網吧打躉的難民、單親媽媽和不育人妻在夜間浪蕩的性活動。行定勳的《撩亂的裸舞曲》則是原創故事,諧星板尾創路演腦閉塞導演,陷入了女色陷阱,搞到身敗名裂。《午夜兇鈴》導演中田秀夫初戰成人世界,打動了九十后女優飛鳥凜全裸演出女同志故事《白百合》。向來出位的園子溫就盡展其反叛本色,以毒攻毒,用色情反色情拍了《Antiporno》,找來前AKB成員富手麻妙首次全裸主演。「粉紅映畫」之所以留名幾十年,是因為「淫」得有道,成本低但劇本扎實,而且是當時年輕新導磨練技藝的修羅場,《禮儀師》奧斯卡導演瀧田洋二郎、《談談情,跳跳舞》的周防正行、《死亡筆記》的金子修介、《后樂園》已故導演森田芳光等大導出道時都拍過粉紅片。停產了廿八年的粉紅系列今次一口氣推出五片,別具意義,將陸續于十一月底起在日本上映。

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男孩、鼴鼠、狐貍和馬

湯姆·霍蘭德爾,伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾

 查理·麥克西的同名繪本改編的手繪動畫,關于善良、友誼、勇氣和希望,通過一段辛酸而真摯的旅程,講述了一個男孩、一只鼴鼠、一只狐貍和一匹馬,四個孤獨的靈魂在尋找家的過程中結伴而行,并在彼此身上找到了自己存在的意義。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惑星大戰爭

宮內洋,平田昭彥,沖雅也,森田健作,淺野優子,池部良

  西暦1988年。人類は謎のUFO群の襲來により危機に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた國連宇宙防衛艦?轟天は発進する。侵略者の正體は、太陽系から2萬2千光年離れたメシエ13と呼ばれる球狀星団?恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦?大魔艦が立ちふさがる……。

古劍奇譚之琴心劍魄

白澍,梁婧嫻,姜震昊,黃羿,王景灝

仙人長琴犯錯被罰下天界,命魂被鑄成兇劍焚寂,心魄托生成人為歐陽少恭。焚寂被注入韓云溪體內。少恭誤入歧途危害百姓,云溪維護天下與少恭同歸于盡,云溪戀人風晴雪帶著他的魂魄踏上了尋找復活之法的漫漫長路……