即刻觀影
劇情賞析
編輯推薦
異形怪胎
布魯克·亞當斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當斯)與老公(杰夫海恩嘉)為了想生個孩子，用盡了一切辦法，在求教過一位專門治療不孕癥的專家(詹姆斯凱倫)后，最后終于如愿以償?shù)爻晒κ茉小?原本滿心期待當媽媽的薇吉妮亞，卻發(fā)現(xiàn)自己的身體起了不該發(fā)生的詭異變化，當夫妻倆發(fā)現(xiàn)這個尚未出生的孩子竟是項瘋狂實驗的成果時，卻為時已晚，薇吉妮亞腹中的「胎兒」已成了兩人無法擺脫的惡夢…
超狗任務
杰森·李,艾米·亞當斯,彼特·丁拉基,詹姆斯·貝魯什,帕特里克·沃伯頓超人狗最初是一條在警隊服役的普通小獵犬，因為執(zhí)行任務時的一次嚴重失誤，被革職。流落街頭的小獵犬被捉到一個動物研究所，邪惡的西蒙（彼德?定克拉吉 飾）博士在那里對流浪狗進行試驗，希望能創(chuàng)造出一條超人狗。 小獵犬大鬧實驗室，陰差陽錯成了超人狗，并逃了出去。研究所的一個保安在下班的時候遇見超人狗，并把它帶回家，希望借此改善和兒子的關(guān)系。 在家里，超人狗發(fā)現(xiàn)自己不但力量強大、速度驚人，而且還能說話和飛翔。在保安之子的鼓勵下，超人狗決定用自己的力量服務社會，與此同時，邪惡的西蒙博士則在琢磨怎么奪回超人狗，還計劃著一個陰險的陰謀……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經(jīng)起床，正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當做自己的孩子撫養(yǎng)。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。
黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck大衛(wèi)·斯雷德(《漢尼拔》)將為米高梅執(zhí)導新片[黑暗收割](Dark Harvest，暫譯)。影片根據(jù)同名恐怖小說改編，邁克爾·吉里奧([龍與地下城])撰寫劇本。故事發(fā)生在1963年的萬圣節(jié)，圍繞著一個叫“十月男孩”展開。每年萬圣節(jié)，他都會手拿屠刀，從玉米地里爬起來，走向小鎮(zhèn)。無論是獵人還是獵物，“十月男孩”都是一年一度生死儀式的獎品。皮特知道，殺死“十月男孩”是他逃離這個窮途末路的小鎮(zhèn)的唯一機會。他愿意冒著生命危險去贏得勝利。但在夜晚結(jié)束之前，皮特將發(fā)現(xiàn)“十月男孩”可怕的真正秘密。
E.S.P.Y
藤岡弘,西辻由美子,草刈正雄,加山雄三,若山富三郎,內(nèi)田勝正,岡田英次,睦五郎,山谷初男,高村ルナ小松左京の同名SF小説を原作に、超能力を持つ諜報員?エスパイたちの活躍を描く。當時の技術(shù)で、果敢に超能力を表現(xiàn)しようとする試みが光る。田村、マリア、三木の3人は、國連の秘密組織’“エスパイ”で働いていた。エスパイとは、超能力を悪用する逆エスパイと戦うための超能力者を養(yǎng)成する機関である。やがて、東西冷戦の要?バルトニアの首相暗殺計畫をめぐって3人の活躍が始まる……。