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為你推薦
地獄迪斯科
Soni Bringas,Stephen Ruffin,海倫妮·尤迪一對年輕夫婦準備燒毀洛杉磯最熱門迪廳的舞池，結果召喚出一股渴望未出世嬰兒的黑暗力量
幽旅巫咒
亞當·斯科特,大衛·威爾莫特,奧斯丁·阿梅里奧,弗洛倫絲·奧德什,彼得·庫南,Brendan Conroy,邁克爾·帕特里克,威爾·奧康納,Sioux Carroll,Ezra Carlisle,Siox C,Mallory Adams性格孤僻、不近人情的小說家歐姆·鮑曼（亞當·斯科特 飾）帶著父母骨灰，來到偏遠陰郁的愛爾蘭鄉間，重返父母曾經最幸福的地方。他入住父母當年度蜜月的古老旅館，卻被旅館員工告知，這間旅館流傳著一則禁忌傳說，有一位古老女巫，長期徘徊在“蜜月套房”，而那間套房早就被封鎖并列為禁區，所有人都被警告絕對不能靠近。起初，歐姆對此不以為意，但當旅館出現離奇失蹤事件，他也逐漸產生詭異幻覺，仿佛那個傳說正滲入他的思緒，將他一步步拖入潛伏著超自然能量的噩夢深淵……
無法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特西雅圖發生一宗商店殺人案，曾被告謀殺親妻的法醫大衛前往勘驗。 無意中卻在兇案現場發現與妻子遭謀害時的相同線索，于是他決定展開調查。 然而調查工作始終毫無展獲，直到他在募款晚會中結識一位美麗的神經學教授瑪莎。 瑪莎正研究某種特殊配方藥劑，可將老鼠的記憶力進行移植。 這使得大衛突發其想，偷走藥劑并將死者的記憶力注入自己體內進行人體試驗，好一睹兇案經過，找出兇嫌破案。 就在大衛一心想幫助警方破案的同時，兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛，只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結束的兇案及往日冤屈，卻在大衛親身體驗已死兇嫌的記憶過程中全面翻轉。 他發現了攸關自身的天大謊言…
斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·福克斯,夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼在經歷了小丑阿特的萬圣節大屠殺后，西耶娜和她的兄弟正在努力重建他們破碎的生活。隨著節日的臨近，他們試圖擁抱圣誕精神，把過去的恐怖拋在腦后。但就在他們以為自己安全的時候，小丑阿特回來了，決心把他們的節日歡樂變成一場新的噩夢。隨著阿特釋放出他扭曲的恐怖，節日很快就結束了，證明沒有一個節日是安全的。
掏出你的手帕
熱拉爾·德帕迪約,卡洛埃·勞拉,帕特里克·迪瓦爾,米歇爾·塞羅爾,埃萊奧諾雷·希爾特這是一位始終以兩性關系、婚姻道德為主題的電影作者，這部獲得奧斯卡最佳外語片的《掏出你的手帕》也不在例外。關于影片，布里耶是這樣解釋的：“表面上看這是一部怪誕的電影，但實際上這是一部徹底顛倒道德標準的片子，不過表現得比較委婉且具有魅力。如果仔細觀察就可以看出，所有的道德價值都被顛倒了，所有的道德傳統都被拋到了一邊。人物的思想狀態正處于一種極端混亂的時期，今天你也許還不會把妻子當作禮物送給別人，但也許將來你就可以做到了。”
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
在恐懼中
伊恩·德·卡斯泰克,愛麗絲·恩格勒特,艾倫·里奇小青年湯姆（伊恩·德·卡斯泰克 Iain De Caestecker 飾）致電有過一面之緣的女孩露西（愛麗絲·恩格勒特 Alice Englert 飾），邀請對方參加即將在愛爾蘭舉行的音樂節。湯姆處心積慮規劃行程，比音樂節預定提前一天到達目的地。他約女孩去網上預訂的基拉尼旅店留宿。筆直的公路無限延伸至遠方，四周但見無垠曠野，陰冷荒涼，幾乎看不到一個人影。汽車在無聊和枯燥中行駛，天色慢慢暗了下來，而他們卻迷失方向，始終找不到目的地。隨著暮色降臨，恐慌在彼此心底升起，他們在迷宮一般的叢林里失去方向，曾經輕浮曖昧的笑容不在。 在漆黑曠野，一名滿臉是血的男子突然出現在湯姆和露西面前。原本設想中美好的約會，注定變成萬劫不復的噩夢……