即刻觀影
劇情賞析
編輯推薦
偽術奇才
彼得洛·卡斯特里圖,朱莉婭·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,愛德華多·佩謝,克勞迪奧·桑塔瑪利亞,奧羅拉·喬維納佐,法比齊奧·費拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亞,Michael Schermi,Carlo TozziA noir portrait of Italy in the Seventies.
給我你的愛2
塔布,阿賈耶·德烏干,馬達范,妮哈.沙爾瑪,拉庫爾·普雷特·辛格Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.
劇中計
詹姆斯·巴林頓,埃里克·格恩斯,Tom Hutch四名劇場演員在倫敦排練即將在西區上演的復仇舞臺劇時，隨著彼此之間的秘密戀情逐漸曝光，參雜著才華嫉妒與愛恨糾葛。在一連串的陰謀與反擊中，原以為的盟友，竟私下已與旁人聯手陷害自己，這場角力最終將演變成致命的殺機。
沒問題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強,鄒德江,丁鶴,黃靖芯,謝昀杉,大兵東北某市，晨報主任左守權得知與前妻生活多年的女兒，在校組建“問題樂隊”，不務正業，恐將被學校處分。老左欲將女兒留在家鄉從事鐵飯碗工作，左明明卻欲南下逐夢。老左苦口婆心勸說不成只好四處托人求助。女兒英語老師呂有容，因兒子轉學之事有求于老左，兩人化干戈為玉帛，惺惺相惜。由此引發左明明誤會其二人有茍且之事，羞怒至極，父女決裂。左明明終日與樂隊混跡夜場，幾乎放棄學業。老同學牛校長涉嫌違紀，牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關乎女兒學位的英語四級考試，也只剩下最后機會。 為了女兒的未來，老左找來女兒樂隊吉他手小馬協助，準備孤注一擲……
致命錄像帶：超越
戴恩·迪利格羅,阿拉娜·皮爾斯,利比·萊特洛,米奇·霍洛維茨,納姆拉塔·謝斯,鮑比·斯萊斯基,馬修·雷頓,布蕾登·布魯納,湯姆·哈勒姆,詹姆斯·C·伯恩斯,喬琳·安德森,Brian Baker,Trevor Dow,Gerry Eng,薩姆·戈爾斯基,尼科·普金格,雷恩·韋奇曼,Tyler Andrews,瓦斯·普羅瓦塔基斯,菲利普·安德瑞·波鐵洛,Michael J. Sielaff,Morgan Chancelien,Chris Page,艾倫·馬克森,Blaine Magee,Morgan Mage通過一部偽紀錄片《未解之謎》五個故事娓娓道來：警察進入古宅尋找孩子遭遇神秘生物；一群印度狗仔隊發現寶萊塢女星并非鏡頭般光鮮亮麗；幾個朋友必須在遭遇外星人入侵之后與客機相撞的高空跳傘中幸存；動物權利組織闖進痛失愛犬的女士住宅后將經歷至暗時刻；以及一位沙漠中的母親調查莫哈韋沙漠幽浮飛船后成為飛船偷渡者……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.