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奧吉(雅各布·特瑞布雷 Jacob Tremblay 飾)是一個10歲的男孩,除了頭戴一個巨大的太空頭盔外,他和其他的同年齡孩子別無二致。頭盔下隱藏了奧吉因為各種手術而傷痕累累的臉龐,它不僅完美的隱藏起了奧吉脆弱自卑的內心,也成功的防止了奧吉的模樣嚇到別的孩子。奧吉沒有上過學,他的所有文化知識都是母親伊莎貝爾(朱莉婭·羅伯茨 Julia Roberts 飾)在家教授給他的。然而,伊莎貝爾漸漸感覺到,家庭課堂無法滿足奧吉的成長需要,除了學習知識,奧吉還必須學會的,是如何同除了家人以外的人交流。在憂慮重重之中,伊莎貝爾將奧吉送入了一間公立學校里,在那里,奧吉面臨的是他人生中必須要戰勝的挑戰。
1940年的伯明翰,在第二次世界大戰的混亂中,湯米·謝爾比(基里安·墨菲 飾)從自我放逐中回歸,直面著迄今為止最具破壞性的清算。家族和國家的未來岌岌可危,湯米必須面對自己心中的惡魔,并選擇是直面它還是將其毀滅。
兩個不善社交的少女,一天晚上無聊,轉向互聯網尋找恐怖故事。他們在一個令人毛骨悚然的網絡上找到了一個游戲,聲稱你可以用你的手機來召喚超自然...如果你輸了比賽...你失去了生命
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.