在線播放
劇情簡介
神美在出差途中遭遇史無前例的暴雨，被迫與下屬留宿一夜……然而，酒店里卻只有一間空房……她覺得下屬田中沒有和女性交往的經驗，也沒有男人氣概，便毫不在意地要求他和自己同住一間艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。玩心大起的神美試圖引誘他，但被田中制服了
同類好片
友情的游戲
貝拉·索恩寒戰1994
吳彥祖,劉俊謙,吳慷仁,謝君豪,王丹妮,廖子妤,艾丹·吉倫,休·博納維爾,周潤發,郭富城,梁家輝,古天樂,元彪,葉童,陳以文,莫文蔚,周文健,陳家樂,白只,彭敬慈,朱鑒然,譚旻萱,何啟華,楊樂文,邱士縉,魏浚笙,林嘉華,太保,楊天宇,高海寧,鄭則仕,張可堅,麥沛東,陳湛文,陳偉雄,張達倫,栢天男,林家熙外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮,金義城,李荷妮,申正根,李時勛功夫機器俠之南拳
陳虎,王智連環殺手夫人
杰奎琳·費南德斯,馬諾杰·巴杰帕伊,莫希特·雷納,Zayn Khan創圣大天使：一發逆轉篇
寺島拓篤,嘉數由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇導演精選
拳擊手
中文名拳擊手導 演劉苗苗編 劇劉方煒主 演：劉延 張中超 許志群 劉尚嫻 王建成50年代末，某省體育館，一場全國性拳擊錦標賽的決賽開始了。拳擊臺下，著名拳擊手陳偉東已懷孕的妻子張曉薇。正緊張地注視著比賽情況。拳擊臺上，陳偉東和著名拳擊手司馬立雄激烈拼搏著。突然，司馬立雄一記直拳把體力不支的陳偉東打倒在地，他再也沒有爬起來。中國從此停止了拳擊運動。十年動亂初期，司馬被關進監獄。粉碎“四人幫”后，已是兩鬢白發的司馬被無罪釋放。1979年9月，鄧小平同志會見訪華的拳王阿里，拳擊運動又在中國興起。司馬找到亡友陳偉東的妻子張曉薇，真誠地表示自己要盡力幫助她的愿望。張曉薇告訴司馬，她的兒子陳冬也在學拳擊，希望司馬能當兒子的教練。司馬暗下決心，一定要把老朋友的兒子培養成為優秀拳擊手。陳冬在司馬的指導下進步很快，不久成為體院拳擊隊的正式隊員。在一次全國拳擊錦標賽上，陳冬勇猛拼搏，一舉奪冠。陳冬與女歌手南妮相愛了。正追求南妮的王德森找到司馬，告了陳冬一狀。司馬有意安排強化訓練，陳冬被對手打得昏昏欲倒，南妮見狀和他吹了。他的心被刺傷，竟決定不當拳擊手了。這時盛怒的司馬將陳冬父親的死因告訴了他，陳冬發瘋地沖上去，把司馬擊倒在地。張曉薇去看望司馬，司馬坦然地表示很理解陳冬的心情，并將自己多年來-一一亢藏于心里的痛苦和悔恨告訴了張曉薇，他倆相互理解了。南妮和王德森結婚了，但她依舊懷念陳冬，為擺脫感情上的折瞻，她去外地旅行。陳冬被選拔參加國際拳擊邀請賽，他把自己的全部精力投入到緊張、艱苦的訓練之中。國際拳擊比賽即將開始，陳冬深情地望著司馬教練飽經滄桑的面孔，眼睛濕潤了。他昂首挺胸，堅定地走上拳擊臺，去迎接對手的挑戰。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
柏林危機
德國男星肯·杜肯自導自演的驚悚片處女作，精神創傷的精英戰士在前往柏林探望女兒的途中搭載了一名面善的攔車者，卻沒料到后者正醞釀著一起柏林恐怖襲擊。伴隨多次視角轉換和對善惡問題的拷問，在逐步揭開極端的意識形態深淵的同時，兩名主角最終將故事引向意外結局。