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十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,KaFive haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…
走心男
權(quán)相佑,文彩元影片翻拍自阿根廷電影《膝下無(wú)子》，講述了高中時(shí)期遇見(jiàn)初戀的男人無(wú)意間將家庭史變成秘密而展開(kāi)的一系列風(fēng)波浪漫喜劇故事。
懲罰者：最后一擊
喬·博恩瑟,杰森·R·摩爾,朱迪斯·賴特,黛博拉·安·霍爾,安德烈·羅佑,尼克·庫(kù)馬拉索斯,賈馬爾·勞埃德·約翰遜,多米尼克·曼齊諾,約瑟夫·德維托,大衛(wèi)·曼努埃爾,多納爾·奧·赫萊,約翰·道格拉斯·湯普森弗蘭克（喬·博恩瑟 飾）在尋找復(fù)仇之外的人生意義時(shí)，被一股意想不到的力量拉回了戰(zhàn)斗。
兇地
平采娜·樂(lè)維瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤納提帕.平帕拉達(dá)布,Pharanyu Rojanawuthitham,巴東·頌桑,坦瓦林·蘇卡皮西特,Chaiwat Thongsaeng,查理·瑞納本劇改編自泰國(guó)四段真實(shí)新聞事件。【亡命巴士】曾經(jīng)肇事的公車巴士，在夜晚最后一班車，搭載著往往不是人……【靈魅旅社】入住廉價(jià)旅社務(wù)必三思，晚上陪你入眠的可能不只一人……【酒店冥花】KTV酒店，萬(wàn)年照不到陽(yáng)光之處，店內(nèi)瘴癘之氣盤據(jù)，長(zhǎng)年身在其中工作，早已人鬼難辨……【陰陽(yáng)禪寺】替人祈福的僧者，竟是殺人兇手？壽未終，尸難寢；慘死冤魂，人間流返。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛(wèi),林迪安阿姆斯特丹，兩個(gè)男人愛(ài)上了同一個(gè)女人，注定了一段糾纏的故事。惠瑛（全智賢飾）是畫(huà)家，每天到廣場(chǎng)幫路人畫(huà)肖像，而像她一樣風(fēng)雨不改的，還有某人送來(lái)的一盤雛菊。每天雛菊總是準(zhǔn)時(shí)送到，讓她心里悸動(dòng)而好奇。一天，匆匆而過(guò)的正佑(李成宰 飾)遇上了畫(huà)家。他本是國(guó)際警察，來(lái)這個(gè)城市追捕殺手，然而卻迷上了溫婉動(dòng)人的惠瑛，他讓惠瑛幫他描肖像，他們的愛(ài)情在萌發(fā)盛開(kāi)。這些情景，送花人看在眼里，痛在心里。他的身份注定了他必須給正佑讓出位置，對(duì)惠瑛默默付出。因?yàn)椋褪钦铀鶎ふ业臍⑹謽懔x(鄭宇成 飾)。但是，強(qiáng)烈的愛(ài)終究讓他不再躲在暗處，他決心爭(zhēng)取幸福。二人在法律上，感情上的鮮明對(duì)立，注定了不能完滿的結(jié)局，鮮血在惠瑛描有雛菊的花布上蔓延開(kāi)來(lái)……