大鴻米店

1.1 播放：55萬 更新：2026-05-26
主演： 黃健中/

　　五龍（陶澤如飾）逃荒進城憑著一身蠻力做了大鴻米店的伙計，食量驚人的他惹來了米店馮老板和大女兒綺云（楊昆飾）的百般刁難，而自小便作了六爺姘婦的小女兒織云（石蘭飾）卻見他總是笑逐顏開，白天到處受人欺負的五龍只有晚上躺在米倉里大口大口的嚼生米時才能感覺到踏實。偶然一次機會，讓五龍發現織云和六爺的手下阿保在一起鬼混，為了報復阿保平日里對自己的欺辱，五龍偷偷向六爺告發，后來阿保就被人給捅了。初嘗報復帶來的快感讓五龍興奮的徹夜無眠，而生性風流的織云對他的百般勾引又令他完全迷失。從此，五龍便開始對身邊欺負自己的一個個城里人瘋狂的報復……                                    　　本片由著名作家蘇童的小說《米》改編，于1995年攝制完成后因被認為宣揚人性惡論而被稱為灰色電影，雪藏七年后才得以解禁海外影視

播放通道

詳細簡介

　　五龍（陶澤如飾）逃荒進城憑著一身蠻力做了大鴻米店的伙計，食量驚人的他惹來了米店馮老板和大女兒綺云（楊昆飾）的百般刁難，而自小便作了六爺姘婦的小女兒織云（石蘭飾）卻見他總是笑逐顏開，白天到處受人欺負的五龍只有晚上躺在米倉里大口大口的嚼生米時才能感覺到踏實。偶然一次機會，讓五龍發現織云和六爺的手下阿保在一起鬼混，為了報復阿保平日里對自己的欺辱，五龍偷偷向六爺告發，后來阿保就被人給捅了。初嘗報復帶來的快感讓五龍興奮的徹夜無眠，而生性風流的織云對他的百般勾引又令他完全迷失。從此，五龍便開始對身邊欺負自己的一個個城里人瘋狂的報復……                                    　　本片由著名作家蘇童的小說《米》改編，于1995年攝制完成后因被認為宣揚人性惡論而被稱為灰色電影，雪藏七年后才得以解禁海外影視

同類推薦

血愛殺手

平采娜·樂維瑟派布恩,塔納波·里拉塔納卡鄒,西瓦功·阿達蘇提坤

女孩從小被殺手家族囚禁撫養，只因她擁有罕見的血型，成為各方勢力覬覦的“移動血庫”。當宿敵卷土重來，她被迫與家族里守護她的殺手聯手，打破囚籠，在槍林彈雨中為自己的生存殺出一條血路，也在并肩作戰中，確認了兩人之間早已滋生的愛情。

奇幻西游：新世界

許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞

　　未來世界，科技與數據主宰一切，當舊城區變得又老又擠，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻值最高的菁英，才有資格入住。八戒（許光漢 配音）又懶又自私當然失格，但他為了讓奶奶（鐘欣凌 配音）過好日子，決定違背良心，與建商總裁牛魔王（庹宗華 配音）私下交易……　　影片將《西游記》搬到科幻場景，八戒化身賽博胖客，與理工男三藏（劉冠廷 配音）、火爆護衛悟空（庾澄慶 配音）、女機器人小凈（邵雨薇 配音），穿梭新舊混雜市景，探索幸福真諦。

密室逃生2

泰勒·拉塞爾,洛根·米勒,霍蘭·羅登,茵蒂婭·摩爾,托馬斯·康奎爾,伊莎貝拉·弗爾曼,詹姆斯·弗萊恩,卡利托·奧利維羅,杰米-李·蒙尼,坦婭·范·格拉恩,阿維亞娜·亞伯拉罕

　　好萊塢驚悚大片《密室逃生2》由《速度與激情》系列金牌制片人重磅打造，前作曾創下中國影史進口驚悚片票房冠軍。續作在闖關難度和驚險刺激程度上全面升級，集結全球頂級玩家合力解鎖超高難度密室，開啟命懸一線的殘酷生存之戰。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

末日逃生2：遷移

杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar

　　由于宇宙中的兩顆彗星正面撞擊了地球，致使地表生態遭遇毀滅性打擊，造成惡劣后果。全人類不得不躲藏在地堡中求得生存。身為科學家的加里蒂帶著一家人劫后余生，幸存了下來。雖然他們躲過了第一波的沖擊，但是他們所在的地堡中剩余的生活物資逐漸減少，其他幸存的人類也開始蠢蠢欲動。迫于壓力這一家人必須離開格陵蘭島的安全掩體，開始踏上危險的旅程。在這一路上他們無奈的發現，整個歐洲已經被毀滅，變成了冰凍荒地。于是一家人只能再次被迫上路，最終，他們找到了新的棲身之所。