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喚醒殺手
夏恩·韋斯特,萊絲莉·比伯,馬特·克拉文昭和殘俠傳
高倉健,池部良,三田佳子秩序的守護者
Cécile De France,Julien Boisselier風雪飄搖
王宇,伊日貴,其那日圖,鋼特木爾,趙思芮,熬爾,巴音蛛仙
孫藝寧,李硯,高廣澤,潘嚴,劉錫明解放3:主攻方向
米哈伊爾·諾日金,尼古拉·奧拉寧,米哈伊爾·烏里揚諾夫,拉里莎·戈盧布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特爾熱利奇克,Yevgeni Burenkov,阿納托利·羅馬申,彼得·謝爾巴科夫,伊萬·彼列維捷夫,弗拉德連·達維多夫,謝爾蓋·哈欽科,德米特里·弗蘭科,T?nu Aav,Fred Alexander,Ingrid Andrina,維克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,同類精選
浩劫后
杰森·羅巴茲,喬貝茲·威廉姆斯,斯蒂夫·古根伯格,約翰·卡倫星辰之怒
杰克·麥克維,安德里亞·提瓦塔,Elijah Rowen,奧塔爾·薩拉利茲,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安頂級陰謀
Anders W. Berthelsen,Maria Bonnevie,Ghita N?rby,Henning Jensen,Lars Mikkelsen餓狼傳說:滿月殺手
蒂娜·露易絲,伊桑·恩布里,艾琳·庫明斯,凱倫·琳恩·高妮,湯姆·諾南,蘭斯·蓋斯特,阿爾·薩皮恩扎,拉瑞·凡斯登,拉特安亞·阿爾達,尼克·丹米奇,Caitlin O'Heaney,Haythem Noor瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
合唱團2025
拉爾夫·費因斯,羅杰·阿拉姆,西蒙·拉塞爾·比爾,阿瑪拉·奧凱雷克,托馬斯·豪斯,艾米莉·費爾恩,雅各布·杜德曼,Taylor Uttley,內森·霍爾,魯本·班布里奇,Ellie Sager1916年,第一次世界大戰在西線激烈進行,約克郡拉姆斯登的合唱協會失去了大部分男性成員,他們都應征入伍了。雄心勃勃的委員會決心繼續前行,決定招募本地的年輕男性來填補隊伍空缺。同時,他們還必須聘請一位新的合唱指揮,最有希望的人選是亨利·格思里博士(拉爾夫·費因斯 飾)——一個意志堅定、毫不妥協、剛從德國音樂生涯歸來的男人。隨著征兵通知陸續送達,全社區的人逐漸意識到,在戰爭摧毀一切的混亂中,最有力的回應就是:一起奏響音樂。
羅薩里奧
大衛·達斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos蘿賽李奧(埃默羅德·圖比亞 飾)是一名成功的華爾街股票經紀人。某天,蘿賽李奧接到祖母意外過世的消息,于是前往祖母居住的公寓查看狀況。因為暴風雪的關系,蘿賽李奧被迫與祖母的遺體共度一夜。這時,一股邪惡力量占據了祖母的遺體,蘿賽李奧成為家族世代流傳詛咒的目標……。
布偶秀50周年特別節目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯道夫,馬特·沃格爾,大衛·戈爾茲,邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、豬小姐以及其他迷人的伙伴們,重返最初的布偶劇院舞臺,帶來全新的音樂、搞笑短劇,以及一連串的后臺大亂斗。