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哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse一個女人,她的一個好朋友住進了哈文赫特公寓就再也沒有消息,然后杰奎琳住進這棟公寓進行調查,卻發現了這棟公寓的不為人知的歷史.....
突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯描述一群青少年學生參加美國太空總署主辦的太空夏令營,親身體驗太空登月的操作環境。不料在一次意外中,他們乘坐的太空艙竟然真地發射升空,幾個年輕人登時六神無主,幸好有一個機器人留在艙中協助他們化險為夷。在眾多的太空科幻片中,哈瑞.溫勒導演本片較著重太空知識的傳遞而非眩目迷人的特效。外景在NASA 實地拍攝,有些地方頗令人大開眼界。凱特.卡普肖飾演女教官、利.湯普森、凱利.普雷斯頓飾演太空歷險的學生,但最討人喜歡的還是那個造型和表演都相當有趣的機器人。
蠟筆小新:灼熱的春日部舞者們
小林由美子,楢橋美紀,森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎,賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹春日部防衛隊在“春日部兒童娛樂節”舞蹈比賽中,獲得勝利,他們因此得到了前往印度的機會。在盡情享受印度旅游的過程中,小新和阿呆進入了一家神秘的雜貨店,在那里發現了一個形狀像“鼻子”的背包并買下了它。然而,這個背包隱藏著一個非常可怕的秘密。
校園火劫:深淵
未知暴風雨中,3名女子學校的學生被困在地下坑里,他們必須直面各自的內心沖突,奮力求生。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
吉時已到2026
圓子,無恙,南宮承,南宮宇,單貳叁,啵啵,靈川,花花,謝居海,吳國慶無公司,無投資,無AI,一部由愛好者手搓的原創中恐無限流大電影,融合昆曲非遺文化。歡迎玩家進入《牡丹亭·喜宴》副本。