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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼三驚2
薩瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麥克唐納,辛扎伊·本班尼,Apapattra Meesang《尸還魂》血性男子阿良發(fā)現(xiàn)女友桂兒和另一個男人波蘇搞在一起，憤怒的阿良駕駛機車追趕，結果不慎車禍身亡。葬禮的第三天，平日的狐朋狗友悉數(shù)到場，連桂兒和波蘇也到場上香，而靈異事件也突然發(fā)生。在此之后，眾人尋找阿良丟失的手機，阿良的鬼影卻接連出現(xiàn)；《獻陰琴》某女子教會學校，傳說曾有一個為情而死的修女，她死后變成無頭女鬼，在夜晚彈著動聽的鋼琴。而如果虔誠地向他許愿，很快就會夢想成真。但是這也伴隨著可怕的危險。充滿嫉妒和愛欲的女孩，為情涉入險地；《祭紙扎》紙扎店老板的老婆珠珠外遇歸來，對老公大獻殷勤。常被欺負的小伙計阿默剛好從網上發(fā)現(xiàn)一則車禍消息，而這個消息讓他大為震驚！恐怖不眠夜，陰雨連綿。
恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi以下兩位千禧一代將他們不擁有的紐約公寓賣給了不知道自己被騙的新買家。這個騙子干得很出色，直到他們遇到了一個公寓老板，他有一個黑暗的秘密，把這個游戲玩弄在他們身上。
金剛不壞2024
喬杉,柳巖,梁龍,孫陽,楊新鳴,桑平,劉長純,代樂樂金剛回到了自己曾經生活的地方，然而一切早已物是人非。這時，一起拐賣兒童的事件意外發(fā)生，金剛以一個局外人的身份開始尋找被拐的女孩，在這個過程中他的過往也依舊在糾纏著他…… 金剛將不得不面對自己最不愿意正視的傷痛……
執(zhí)法交叉點
Manish Chaudhari,拉塞卡·杜加爾,Saurabh Dwivedi,薩基爾·侯賽因,賽義夫·阿里·汗,桑杰·米什拉賽義夫·阿里·汗（Saif Ali Khan）將飾演一名警察，他分享了自己的興奮之情：“由沙·魯克（Shah Rukh）的公司紅辣椒娛樂公司（Red Chillies Entertainment）制作的《卡塔維亞》（Kartavya）真的很棒，很快就會上映。這是導演普爾基特（Pulkit）的一部可愛的作品，很高興也能在網飛（Netflix）上上映。”這部電影還邀請了包括Rasika Duggal、Sanjay Mishra、Saurabh Dwivedi、Zakir Hussain在內的演員陣容，和Manish Chaudhari。Kartavya團隊分享道：“《Kartavya》標志著紅辣椒娛樂公司、網飛和導演Pulkit繼《Bhakshak》之后的第二次合作。作為一個團隊，我們致力于講述突破創(chuàng)意界限并產生深刻共鳴的故事，而《Kartavy》有力地反映了這一愿景。這部電影以中心地帶為背景，探索了法律、家庭、真相和責任的復雜交叉點，賽義夫在道德層面的角色中展現(xiàn)了非凡的深度和強度。我們很高興能與網飛合作，并期待世界各地的觀眾體驗這種扣人心弦的敘事。”紅辣椒娛樂在其不斷增長的內容中又增加了一個標題。為全球觀眾打造，這與Netflix向全球觀眾展示強大的印度故事的愿景相一致。
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車仔擁有一間網吧，但在手機游戲的沖擊下，早已人氣不再；三十未到的電競選手邦少正在面對實力下滑的職業(yè)困境；單親家庭長大的霏霏大學畢業(yè)超過五年，還未有過一份穩(wěn)定工作。曾是動作巨星的八爺因為妻子阿蘭出現(xiàn)腦退化，年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報，讓想要拯救網吧的車仔決定組隊。車仔、霏霏、八爺，三個新手再加上一個急于證明自己的邦少，Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺，一場不可能完成的戰(zhàn)斗，讓心懷夢想的他們不再抱憾。